The late poet laureate, Sir John Betjeman, said that Edinburgh was the most beautiful city in Europe. Like some other great cities it is set on seven hills. But only one of these, Rome, rivals Edinburgh in matching the beauty of its setting with the stateliness of its buildings. Edinbrugh, too, provides the backdrop to much of the dark drama of the Scottish past, from Mary Queen of Scots to Bonnie Prince Charlie and beyond. Michael Fry, who has lived and worked there for nearly forty years, provides a compellingly readable account of this great city, from the earliest times to the present, balancing Edinburgh's cultural, political and social history, and painting a vivid portrait of a city - that like Stevenson's Dr Jekyll - is both dark and light, both dark and light, both 'Auld Reekie' and 'Athens of the North'. ‘Impressive ... in the style of Peter Ackroyd’s history of London’ Magnus Linklator, Spectator 'No one interested in the history of Edinburgh, and indeed Scotland, should be without it’ Allan Massie,Scotsman

Social clubs as they existed in eighteenth- and early nineteenth-century Scotland were varied: they could be convivial, sporting, or scholarly, or they could be a significant and dynamic social force, committed to improvement and national regeneration as well as to sociability. The essays in this volume examine the complex history of clubs and societies in Scotland from 1700 to 1830. Contributors address attitudes toward associations, their meeting places and rituals, their links with the growth of the professions and with literary culture, and the ways in which they were structured by both class and gender. By widening the context in which clubs and societies are set, the collection offers a new framework for understanding them, bringing together the inheritance of the Scottish past, the unique and cohesive polite culture of the Scottish Enlightenment, and the broader context of associational patterns common to Britain, Ireland, and beyond.

A comprehensive study of economic theory in relation to the development of nineteenth-century British theatre.