History of Ancient, Early Christian, and Mediaeval Painting
Title | History of Ancient, Early Christian, and Mediaeval Painting PDF eBook |
Author | Alfred Friedrich Gottfried Albert Woltmann |
Publisher | |
Pages | 550 |
Release | 1894 |
Genre | Painting |
ISBN |
History of Painting: Ancient, early Christian and mediaeval painting
Title | History of Painting: Ancient, early Christian and mediaeval painting PDF eBook |
Author | Alfred Woltmann |
Publisher | |
Pages | 542 |
Release | 1880 |
Genre | Painting |
ISBN |
Early Medieval Art
Title | Early Medieval Art PDF eBook |
Author | Lawrence Nees |
Publisher | Oxford University Press, USA |
Pages | 274 |
Release | 2002 |
Genre | Art |
ISBN | 9780192842435 |
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
The Routledge Handbook of Early Christian Art
Title | The Routledge Handbook of Early Christian Art PDF eBook |
Author | Robin M. Jensen |
Publisher | Routledge |
Pages | 398 |
Release | 2018-05-20 |
Genre | History |
ISBN | 1317514173 |
The Routledge Handbook of Early Christian Art surveys a broad spectrum of Christian art produced from the late second to the sixth centuries. The first part of the book opens with a general survey of the subject and then presents fifteen essays that discuss specific media of visual art—catacomb paintings, sculpture, mosaics, gold glass, gems, reliquaries, ceramics, icons, ivories, textiles, silver, and illuminated manuscripts. Each is written by a noted expert in the field. The second part of the book takes up themes relevant to the study of early Christian art. These seven chapters consider the ritual practices in decorated spaces, the emergence of images of Christ’s Passion and miracles, the functions of Christian secular portraits, the exemplary mosaics of Ravenna, the early modern history of Christian art and archaeology studies, and further reflection on this field called “early Christian art.” Each of the volume’s chapters includes photographs of many of the objects discussed, plus bibliographic notes and recommendations for further reading. The result is an invaluable introduction to and appraisal of the art that developed out of the spread of Christianity through the late antique world. Undergraduate and graduate students of late classical, early Christian, and Byzantine culture, religion, or art will find it an accessible and insightful orientation to the field. Additionally, professional academics, archivists, and curators working in these areas will also find it valuable as a resource for their own research, as well as a textbook or reference work for their students.
Rethinking Early Christian Identity
Title | Rethinking Early Christian Identity PDF eBook |
Author | Maia Kotrosits |
Publisher | Fortress Press |
Pages | 279 |
Release | 2015-02-01 |
Genre | Religion |
ISBN | 1451494262 |
Maia Kotrosits challenges the contemporary notion of “early Christian literature,” showing that a number of texts usually so described—including Hebrews, Acts, the Gospel of John, Colossians, 1 Peter, the letters of Ignatius, the Gospel of Truth, and the Secret Revelation of John—are “not particularly interested” in a distinctive Christian identity. By appealing to trauma studies and diaspora theory and giving careful attention to the dynamics within these texts, she shows that this sample of writings offers complex reckonings with chaotic diasporic conditions and the transgenerational trauma of colonial violence.
History of Ancient, Early Christian, and Mediæval Painting
Title | History of Ancient, Early Christian, and Mediæval Painting PDF eBook |
Author | Alfred Woltmann |
Publisher | |
Pages | 550 |
Release | 1880 |
Genre | Painting |
ISBN |
Right and Left in Early Christian and Medieval Art
Title | Right and Left in Early Christian and Medieval Art PDF eBook |
Author | Robert Couzin |
Publisher | BRILL |
Pages | 327 |
Release | 2021-03-01 |
Genre | History |
ISBN | 9004448713 |
Robert Couzin’s Right and Left in Early Christian and Medieval Art provides the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century.