This volume presents essays from eight scholars who trained with Robert Kingdon, a vanguard of early modern studies. He required students to go to primary sources, yet they were free to pursue their own curiosity. No matter what their approach to the sources, students were held to a high standard of thoroughness, precision, and attention to detail. This festschrift displays something of the diversity of language, source materials, methods, and visions that Kingdon encouraged in his students during his forty-year career in graduate education.

The experiences of people coming to the United States from many different lands are conveyed in the words of a contemporary young girl visiting Ellis Island and of a girl who immigrated in about 1910, as well as by quotes from early twentieth century immigrants and Ellis Island officials.

Many Voices, One Nation explores U.S. history through a powerful collection of artifacts and stories from America’s many peoples. Sixteen essays, composed by Smithsonian curators and affiliated scholars, offer distinctive insight into the peopling of the United States from the Europeans’ North American arrival in 1492 to the near present. Each chapter addresses a different historical era and considers what quintessentially American ideals like freedom, equality, and belonging have meant to Americans of all backgrounds, races, and national origins through the centuries. Much more than just an anthology, this book is a vibrant, cohesive presentation of everyday objects and ideas that connect us to our history and to one another. Using these objects and personal stories as a transmitter, the book invites readers to hear the voices of our many voices, and contemplate the complexity of our one nation. The stories and artifacts included in this volume bring our seemingly disparate pasts together to inspire possibilities for a shared future as we constantly reinterpret our e pluribus unum – our nation of many voices.

In 1972, UNESCO put in place the World Heritage Convention, a highly successful international treaty that influences heritage activity in virtually every country in the world. Focusing on the Convention's creation and early implementation, this book examines the World Heritage system and its global impact through diverse prisms, including its normative frameworks, constituent bodies, programme activities, personalities and key issues. The authors concentrate on the period between 1972 and 2000 because implementation of the World Heritage Convention during these years sets the stage for future activity and provides a foil for understanding the subsequent evolution in the decade that follows. This innovative book project seeks out the voices of the pioneers - some 40 key players who participated in the creation and early implementation of the Convention - and combines these insightful interviews with original research drawn from a broad range of both published and archival sources. The World Heritage Convention has been significantly influenced by 40 years of history. Although the text of the Convention remains unchanged, the way it has been implemented reflects global trends as well as evolving perceptions of the nature of heritage itself and approaches to conservation. Some are sounding the alarm, claiming that the system is imploding under its own weight. Others believe that the Convention is being compromised by geopolitical considerations and rivalries. This book stimulates reflection on the meaning of the Convention in the twenty-first century.

"'It takes a lot to say I love you, I mean it / and mean it, ' says the speaker in Matthew Daddona's rich and impactful debut, House of Sound. These poems articulate not just love as an act, but also absence, longing, and philosophies, all as a measure of life and its relevance. To stay or to go? This is the central question that haunts the speaker. And when one goes, is one ever really gone? These poems ring with questions: 'I want their wings. I want their answer.' In sound, memory, and the lack thereof. In life, love-and the lack thereof. This collection is an exciting example of language as meditation, mediation, and conciliation, as well as action. To write, to love, to understand, to contemplate-these are all verbs that require action and attention. Attend to the quiet yearning in these poems. 'Because a shadow / wants to leave you / but doesn't know how, ' attend to the way these beautiful poems move through the body as heartsong, as a form of human touch." -Chelsea Dingman, author of Through a Small Ghost and Thaw Academy of American Poets prize-winning poet Matthew Daddona's debut collection, House of Sound, is a rumination on domesticity and modern-living, a playful and earnest attempt to discover truth within silence and hope within noise. In these twenty-eight poems, Daddona combines narrative and lyricism to recreate a home-and thus, a mode of living-that delivers to us a family searching for contact amid society's cacophony. In "Poem for Leaving," a narrator attempts to put together a former friend's reason for deserting him for a more alluring country, while in "Tourist Trap," a husband reckons with trying to protect his wife from verbal and physical assault while pondering the language of violence and appeasement. As the roles of mother, father, sister, brother, daughter, son, are often exchanged, borrowed, interplayed, the collection externalizes their choices by showing the narrator take flight from his hometown in the conclusive "Poem for Returning." Celebrating language, and ultimately the liberty of choice, Daddona writes, "To become love, / dress in idiom." House of Sound is a dynamic and dexterous debut from a bold new writer, a commentary upon the joys and defeats of trying to live most beautifully.

Here in their own words are Frederick Douglass, George Jackson, Chief Joseph, Martin Luther King Jr., Plough Jogger, Sacco and Vanzetti, Patti Smith, Bruce Springsteen, Mark Twain, and Malcolm X, to name just a few of the hundreds of voices that appear in Voices of a People's History of the United States, edited by Howard Zinn and Anthony Arnove. Paralleling the twenty-four chapters of Zinn's A People's History of the United States, Voices of a People’s History is the long-awaited companion volume to the national bestseller. For Voices, Zinn and Arnove have selected testimonies to living history—speeches, letters, poems, songs—left by the people who make history happen but who usually are left out of history books—women, workers, nonwhites. Zinn has written short introductions to the texts, which range in length from letters or poems of less than a page to entire speeches and essays that run several pages. Voices of a People’s History is a symphony of our nation’s original voices, rich in ideas and actions, the embodiment of the power of civil disobedience and dissent wherein lies our nation’s true spirit of defiance and resilience.

The most common English translations of the Bible often sound like a single, somewhat archaic voice. In fact, the Bible is made up of many separate books composed by multiple writers in a wide range of styles and perspectives. It is, as Michael Carasik demonstrates, not a remote text reserved for churches and synagogues but rather a human document full of history, poetry, politics, theology, and spirituality. Using historic, linguistic, anthropological, and theological sources, Carasik helps us distinguish between the Jewish Bible's voices--the mythic, the historical, the prophetic, the theological, and the legal. By articulating the differences among these voices, he shows us not just their messages and meanings but also what mattered to the authors. In these contrasts we encounter the Bible anew, as a living work whose many voices tell us about the world out of which the Bible grew--and the world that it created.