"This study looks at a wide range of medieval Englisih romance texts, including the works of Chaucer and Malory, from a broad cultural perspective, to show that while they employ magic in order to create exotic, escapist worlds, they are also grounded in a sense of possibility, and reflect a complex web of inherited and current ideas." --Book Jacket.

This is a fascinating study of religious culture in England from 1050 to 1250. Drawing on the wealth of material about religious belief and practice that survives in the chronicles, Carl Watkins explores the accounts of signs, prophecies, astrology, magic, beliefs about death, and the miraculous and demonic. He challenges some of the prevailing assumptions about religious belief, questioning in particular the attachment of many historians to terms such as 'clerical' and 'lay', 'popular' and 'elite', 'Christian' and 'pagan' as explanatory categories. The evidence of the chronicles is also set in its broader context through explorations of miracle collections, penitential manuals, exempla and sermons. The book traces shifts in the way the supernatural was conceptualized by learned writers and the ways in which broader patterns of belief evolved during this period. This original account sheds important light on belief during a period in which the religious landscape was transformed.

During the Middle Ages, many occult rituals and beliefs existed and were practiced alongside those officially sanctioned by the church. While educated clergy condemned some of these as magic, many of these practices involved religious language, rituals, or objects. For instance, charms recited to cure illnesses invoked God and the saints, and love spells used consecrated substances such as the Eucharist. Magic and Religion in Medieval England explores the entanglement of magical practices and the clergy during the Middle Ages, uncovering how churchmen decided which of these practices to deem acceptable and examining the ways they persuaded others to adopt their views. Covering the period from 1215 to the Reformation, Catherine Rider traces the change in the church’s attitude to vernacular forms of magic. She shows how this period brought the clergy more closely into contact with unofficial religious practices than ever before, and how this proximity prompted them to draw up precise guidelines on distinguishing magic from legitimate religion. Revealing the necessity of improving clerical education and the pastoral care of the laity, Magic and Religion in Medieval England provides a fascinating picture of religious life during this period.

Exploration of how medieval people categorized the world, concentrating on the division between the natural and the supernatural.

How was the complex history of Britain's languages understood by twelfth-century authors? This book argues that the social, political and linguistic upheavals that occurred in the wake of the Norman Conquest intensified later interest in the historicity of languages. An atmosphere of enquiry fostered vernacular literature's prestige and led to a newfound sense of how ancient languages could be used to convey historical claims. The vernacular hence became an important site for the construction and memorialisation of dynastic, institutional and ethnic identities. This study demonstrates the breadth of interest in the linguistic past across different social groups and the striking variety of genre used to depict it, including romance, legal translation, history, poetry and hagiography. Through a series of detailed case studies, Sara Harris shows how specific works represent key aspects of the period's imaginative engagement with English, Brittonic, Latin and French language development.

"Medieval Ghost Stories" is a collection of ghostly occurrences from the eighth to the fourteenth centuries; they have been found in monastic chronicles and preaching manuals, in sagas and heroic poetry, and in medieval romances. In a religious age, the tales bore a peculiar freight of spooks and spirituality which can still make hair stand on end; unfailingly, these stories give a fascinating and moving glimpse into the medieval mind. Look only at the accounts of Richard Rowntree's stillborn child, glimpsed by his father tangled in swaddling clothes on the road to Santiago, or the sly habits of water sprites resting as goblets and golden rings on the surface of the river, just out of reach...