Most book reviewers know very little about the history or the art of biography. Indeed, if there is any art in biography, it is the rare reviewer that acknowledges it or knows how to discuss it. Usually the reviewer regards biography as an occasion to wax eloquent about what he or she thinks of the subject. Little space, if any, is devoted to the biography's structure or style, to the biographer's peculiar problems, or to how the biography relates to others about the same subject. Carl Rollyson, a professional biographer and weekly columnist (On Biography) for The New York Sun, explores the ramifications of authorized and unauthorized biographies, investigates the relationship between biography and history, biography and fiction, biography and autobiography, as well commenting on certain perennial biographical subjects such as Napoleon, on sub genres such as children's biography, and on the most recent developments in life writing. Rollyson's aim is to reach not merely scholars but that vast general audience addicted to reading biography, enhancing their pleasure by providing insight (or you might say, the inside word) on how biographies are put together.

This textbook is an anthology of significant theoretical discussions of biography as a genre and as a literary-historical practice. Covering the 18th to the 21st centuries, the reader includes programmatic texts by authors such as Herder, Carlyle, Dilthey, Proust, Freud, Kracauer, Woolf and Bourdieu. Each text is accompanied by a commentary placing its contribution in critical context. Ideal for use in undergraduate seminars, this reader may also be of interest for academic researchers in the areas of literary studies and history aiming to get an overview of historical questions in biographical theory. This revised and updated English language edition also includes new translations of texts by J. G. Herder and Stefan Zweig, as well as an introductory discussion on the possibility of a ‘theory of biography’. Note: Due to copyright reasons, the chapter "Sade, Fourier, Loyola [Extract] (1971)" (pp. 175–177) by Roland Barthes could not be included in the ebook.

This book sheds new light on the biographical approach in the history of physics by including the biographies of scientific objects, institutions, and concepts. What is a biography? Can biographies also be written for non-human subjects like scientific instruments, institutions or concepts? The respective chapters of this book discuss these controversial questions using examples from the history of physics. By approaching biography as metaphor, it transcends the boundaries between various perspectives on the history of physics, and enriches our grasp of the past.