Reunited at long last, will they give in to their passion? After the death of his fiancée, Kai Ramsey left Scotland to roam distant lands. Having barely survived after being imprisoned as a spy during the Napoleonic War, Ramsay has lived on the edge of danger for years, but everything changes when a letter arrives for him from Scotland... Signy Matheson has dedicated her life to the people of Scotland’s remote Thorsay Islands. With a fiery spirit and agile mind, she is a faithful ally to the aging laird. Now their leader is ailing and Signy must summon the laird's successor at once – it’s time for Ramsey to come home. When Ramsay returns to Thorsay, he’s shocked to find that Signy has blossomed into an alluring beauty, and a force to be reckoned with. Because of their complicated past, Ramsey and Signy must deny their desire for each other. But after a wild storm sparks undeniable passion, the discovery of an ancestral treasure trove places them in harm’s way, and the two will have to come together to protect Thorsay. A thrilling Scottish Regency romance from New York Times bestseller Mary Jo Putney, for fans of Julia Quinn and Stephanie Laurens.

In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science. Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War. Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, the book examines a wide range of objects, from painted fans “of the ruins of Rome for a sequin apiece” and the Pope’s “bless’d beads”, to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narratives.