In the 1970s, new methods of social science research began to flower in Latin America, connecting academic researchers to grassroots social movements. One of these was participatory action research, a method now used by community organizers, educational activists, and social scientists around the world. Historieta Doble traces the roots of participatory action research to the Caribbean coast of Colombia, and to the work of visionary sociologist Orlando Fals Borda with the Colombian Peasant Movement. Beautifully illustrated, this graphic novel shows how Fals Borda combined research and theory with political participation and activism, using comics to capture rural historical memory and allow peasants to see themselves as historical actors. This graphic history presents a fascinating journey through time, weaving Fals Borda’s original research with Joanne Rappaport’s contemporary reconstruction of his compelling story. The book features the artistic work of Ulianov Chalarka, whose comic panels brought Fals Borda’s research to life in the 1970s. Historieta Doble is a visual and narrative feast that transcends eras, connecting the past and present within the vibrant world of Latin American comics.

Comics Beyond the Page in Latin America is a cutting-edge study of the expanding worlds of Latin American comics. Despite lack of funding and institutional support, not since the mid-twentieth century have comics in the region been so dynamic, so diverse and so engaged with pressing social and cultural issues. Comics are being used as essential tools in debates about, for example, digital cultures, gender identities and political disenfranchisement.

Double Talk Debuted In The Sunday Observer In Bombay, 1982. Suki, Its Central Character, Was A Bushy-Haired, Baggy-Clothed Free Spirit. With Neither Job Nor Family To Tie Her Down, Her Life Was Breezily Uncluttered, Unencumbered And Unconventional. In Four Years She Had Just One Romance And Her Best Friends Were Non-Human. Her Favourite Concerns Were Bewilderingly Abstract And Her Reference Points Were Usually Universal Rather Than Local. In The Nineties, Suki Was Resurrected In A Daily Strip Of That Name, In The Pioneer In New Delhi, Where It Ran For Six Years. Despite All The Changes That Have Occurred In The Real World Since The Birth Of Suki, The Character And The Illustrations Continue To Bristle With Their Own Quirky Brand Of Humour. Or Lack Of It: Bombay S Feisty Readers Had Strong Views About The Cartoon, And Sent In Almost 60 Published Letters Of Complaint To The Editor! This Book Represents A Selection Of The Strips That Appeared In Print From 1982 To 1986.

This book is a printed edition of the Special Issue "Wounded: Studies in Literary and Cinematic Trauma" that was published in Humanities

One of the greatest untold stories about the globalization of the Western is the key role of comics. Few American cultural exports have been as successful globally as the Western, a phenomenon commonly attributed to the widespread circulation of fiction, film, and television. The Comic Book Western centers comics in the Western’s international success. Even as readers consumed translations of American comic book Westerns, they fell in love with local ones that became national or international sensations. These essays reveal the unexpected cross-pollinations that allowed the Western to emerge from and speak to a wide range of historical and cultural contexts, including Spanish and Italian fascism, Polish historical memory, the ideology of shōjo manga from Japan, British post-apocalypticism and the gothic, race and identity in Canada, Mexican gender politics, French critiques of manifest destiny, and gaucho nationalism in Argentina. The vibrant themes uncovered in The Comic Book Western teach us that international comic book Westerns are not hollow imitations but complex and aesthetically powerful statements about identity, culture, and politics.