In Western religious traditions, God is conventionally conceived as a humanlike creator, lawgiver, and king, a being both accessible and actively present in history. Yet there is a concurrent and strong tradition of a God who actively hides. The two traditions have led to a tension between a God who is simultaneously accessible to humanity and yet inaccessible, a God who is both immanent and transcendent, present and absent. Western Gnostic, esoteric, and mystical thinking capitalizes on the hidden and hiding God. He becomes the hallmark of the mystics, Gnostics, sages, and artists who attempt to make accessible to humans the God who is secreted away. 'Histories of the Hidden God' explores this tradition from antiquity to today. The essays focus on three essential themes: the concealment of the hidden God; the human quest for the hidden God, and revelations of the hidden God.

In Western religious traditions, God is conventionally conceived as a humanlike creator, lawgiver, and king, a being both accessible and actively present in history. Yet there is a concurrent and strong tradition of a God who actively hides. The two traditions have led to a tension between a God who is simultaneously accessible to humanity and yet inaccessible, a God who is both immanent and transcendent, present and absent. Western Gnostic, esoteric, and mystical thinking capitalizes on the hidden and hiding God. He becomes the hallmark of the mystics, Gnostics, sages, and artists who attempt to make accessible to humans the God who is secreted away. 'Histories of the Hidden God' explores this tradition from antiquity to today. The essays focus on three essential themes: the concealment of the hidden God; the human quest for the hidden God, and revelations of the hidden God.

A new edition of a major philosophical work This remarkable text, first published in 1964, was a landmark of its era and remains, in the words of Michael Löwy, a work of “remarkable richness.” Drawing on Georg Lukács’ History and Class Consciousness, Lucien Goldmann applies the concept of “world visions” to flesh out the similarities between Pascal’s Pensées and Kant’s critical philosophy, contrasting them with the rationalism of Descartes and the empiricism of Hume. For Goldmann, a leading exponent of the most fruitful method of applying Marxist ideas to literary and philosophical problems, the “tragic vision” marked an important phase in the development of European thought, as it moved from rationalism and empiricism to the dialectical philosophy of Hegel, Marx and Lukàcs. Here he offers a general approach to the problems of philosophy, of literary criticism, and of the relationship between thought and action in human society.

"If I had learned anything during the war, it was that our walk in the sun is brief, and so I resolved to wander from monastery to monastery, a sojourner in the world of last things." So poet and journalist Christopher Merrill tells us near the beginning of this gripping account of the transforming pilgrimages he made to Mount Athos, in Greece, in the aftermath of the Balkan wars of the 1990s. "It was time for me to come to terms with the way my life had turned out: the love I had squandered, the misgivings I had about my vocation and my faith, the dread I felt at every turn." In despair and longing to end his spiritual desolation, Merrill became one of a handful of visitors permitted entry to Mount Athos--a mysterious land that for more than a thousand years has been the secret heart of the Eastern Orthodox Church. There, amid the beautiful terrain, the ancient rhythms, and the spiritual rigor of this holy place, he found a haven. As Merrill's story unfolds, we, too, hike the rough trails of Athos, exploring a place and a way of life scarcely altered since medieval times. We share encounters with monks and spiritual seekers; visit Athos's twenty monasteries, where exquisite art treasures are sequestered; make our way to lonely hermitages that clutch the cliffs above the sea. Like Merrill, we come to consider existence in a new and different light. Part journal of personal discovery, part meditation upon the history and traditions of the contemplative life, Things of the Hidden God takes us where the temporal and the eternal intersect, where community and solitude coexist, and where centuries-old practices offer insight for how to live today.

This new series brings together a number of great academic works from the archives of Oxford University Press. Reissued in a uniform series design in Spring 2000, Oxford Scholarly classics will enable libraries, scholars, and students to gain fresh access to some of the finest scholarship of the last century.

Bestselling author and artist Joni Eareckson Tada invites readers to join her on a deeply personal journey as she explores the presence of a holy God in hidden places. Stories from Joni's life shine in this collection of gathered memories. Readers will recall quiet, out-of-the-way moments in their own lives when God was present--both in happy and sad times. Words of encouragement, comfort, and insight leave the soul satisfied and longing to be closer to a loving Father, who often shows up when least expected. Finding God in Hidden Places is the perfect size for bedtime reading or taking along for daytime moments of rest and reflection.

"... offers a range of approaches to cinema's explorations of a hidden or absent God through a group of essays by thirty-five writers who discuss some fifty movies"--p. 11.