This book examines cinematic practices in Bollywood as narratives that assist in shaping the imagination of the age, especially in contemporary India. It examines historical films released in India since the new millennium and analyses cinema as a reflection of the changing socio-political and economic conditions at any given period. The chapters in Historicizing Myths in Contemporary India: Cinematic Representations and Nationalist Agendas in Hindi Cinemas also illuminate different perspectives on how cinematic historical representations follow political patterns and market compulsions, giving precedence to a certain past over the other, creating a narrative suited for the dominant narrative of the present. From Mughal-e-Azam to Padmaavat, and Bajirao Mastani to Raazi, the chapters show how creating history out of myths validate hegemonic identities in a rapidly evolving Indian society. The volume will be of interest to scholars of film and media studies, literature and culture studies, and South Asian studies.

"The Oxford Handbook of Modern Indian Literatures is a compilation of scholarship on Indian literature from the 19th century to the present in a range of Indian languages. On one hand, because of reasons associated with national academic structures, publishing resources, and global visibility, English writing gets privileged over all the other linguistic traditions in the scholarship on Indian literatures. On the other hand, within the scholarship on regional language literary productions (in Hindi, Marathi, Bengali, etc.), the critical works and the surveys focus only on that particular language and therefore frequently suffer from a lack of comparative breadth and/or global access. Both reflect the paradigm of monolingualism within which much literary scholarship on Indian literature takes place. This handbook instead focuses on the multilingual pathways through which modern Indian literature gets constituted. It features cutting-edge literary criticism from at least seventeen languages, and on traditional literary genres as well as more recent ones like graphic novels. It shows the deep connections and collaborations across genres, languages, nations, and regions that produce a literature of diverse contact zones, generating innovations on form, aesthetics, and technique. Foregrounding themes such as modernity and modernism, gender, caste, diaspora, and political resistance, the book collects an array of perspectives on this vast topic"--

This book provides an in-depth exploration of the evolving landscape of Bollywood cinema in response to recent socio-political changes in India, including a surge in sectarian violence and the ascent of Hindutva, or Hindu nationalism, under Prime Minister Narendra Modi's leadership. Through a comprehensive analysis of prominent filmmakers and actors like Sanjay Leela Bhansali, Kangana Ranaut, Akshay Kumar, and Anupam Kher, Ajay Gehlawat investigates the extent to which their recent works align with key tenets of the Hindutva movement. He scrutinizes the growing influence of the Bharatiya Janata Party (BJP) on film production, manifesting in collaborations covering diverse themes, from Modi's Clean India initiative to the nation's space exploration endeavors and grand historical epics such as Padmaavat (2018) and Manikarnika (2019) that seek to reshape Indian history in line with Hindutva ideology. Gehlawat goes on to dissect smaller budget films like Article 15 (2019) and Shubh Mangal Zyada Saavdhan (2020), which tackle pressing social issues like caste-based violence and homophobia exacerbated by the surge in right-wing extremism in India. In doing so, he elucidates the profound and far-reaching impact of Hindutva ideology on Indian cinematic narratives and aesthetics, while also considering the broader implications for Indian society as a whole.

Collective myths shape and frame contemporary communication processes as well as the collective subconscious. International contributors from the humanities and social sciences focus on interdependencies between collective myths and decivilizing processes in China and the United States, global economics, and recent technological advances. They highlight long-term de-/civilizing processes also for the globally important survival units India and Turkey, and the violently contested border areas of Afghanistan and Pakistan.

Taking the contentious debates surrounding historical evidence and history writing between secularists and Hindu nationalists as a starting point, this book seeks to understand the origins of a growing historical consciousness in contemporary India, especially amongst Hindus. The broad question it poses is: Why has ‘history’ become such an important site of identity, conflict and self-definition amongst modern Hindus, especially when Hinduism is known to have been notoriously impervious to history? As modern ideas regarding notions of history came to India with colonialism, it turns to the colonial period as the ‘moment of encounter’ with such ideas. The book examines three distinct moments in the Hindu self through the lives and writings of lower-caste public figure Jotiba Phule, ‘moderate’ nationalist M. G. Ranade and Hindu nationalist V. D. Savarkar. Through a close reading of original writings, speeches and biographical material, it is demonstrated that these three individuals were engaged with a modern historical and rationalist approach. However, the same material is also used to argue that Phule and Ranade viewed religion as living, contemporaneous and capable of informing both their personal and political lives. Savarkar, the ‘explicitly Hindu’ leader, on the contrary, held Hindu practices and traditions in contempt, confining them to historical analysis while denying any role for religion as spirituality or morality in contemporary political life. While providing some historical context, this volume highlights the philosophical/ political ideas and actions of the three individuals discussed. It integrates aspects of their lives as central to understanding their politics.

This book provides an in-depth ethnographic study of science and religion in the context of South Asia, giving voice to Indian scientists and shedding valuable light on their engagement with religion. Drawing on biographical, autobiographical, historical, and ethnographic material, the volume focuses on scientists’ religious life and practices, and the variety of ways in which they express them. Renny Thomas challenges the idea that science and religion in India are naturally connected and argues that the discussion has to go beyond binary models of ‘conflict’ and ‘complementarity’. By complicating the understanding of science and religion in India, the book engages with new ways of looking at these categories.

A twenty-one volume set of encyclopedias providing an alphabetical listing of information on a variety of topics.