Ketika masih remaja, Emilia Gwendolyn Carrington pernah bersumpah di hadapan calon Duke of Pindar bahwa dia takkan mau menikah dengan pria ituÑjadi bertahun-tahun kemudian dia sangat ngeri ketika menyadari pria itu adalah satu-satunya yang bisa menolongnya. Evander Septimus Brody punya alasan sendiri untuk menyetujui lamaran berani Mia, tapi ada satu hal yang takkan dia berikan pada wanita itu: dirinya sendiri. Sebagai gantinya, dia menawarkan Mia kesepakatan... dia akan memberikan empat malam dalam setahun untuk Mia. Empat malam, tak lebih. Dan hanya jika Mia memohon kepadanya Hal yang takkan pernah dilakukan Mia. Sekarang Evander menghadapi tantangan paling berat dalam hidupnya: ia harus memenangkan hati sang istriÑdan tak peduli apa risikonya, dia tak boleh kalah dalam peperangan ini.

Eloisa James returns with another fabulous romance in her New York Times bestselling Desperate Duchesses by the Numbers series! As a young girl, Emilia Gwendolyn Carrington told the annoying future Duke of Pindar that she would marry any man in the world before him-so years later she is horrified to realize that she has nowhere else to turn. Evander Septimus Brody has his own reasons for agreeing to Mia's audacious proposal, but there's one thing he won't give his inconvenient wife: himself. Instead, he offers Mia a devil's bargain . . . he will spend four nights a year with her. Four nights, and nothing more. And those only when she begs for them. Which Mia will never do. Now Vander faces the most crucial challenge of his life: he must seduce his own wife in order to win her heart-and no matter what it takes, this is the one battle he can't afford to lose. Eloisa's witty, romantic Georgian romances are perfect for fans of Julia Quinn, Lisa Kleypas and Georgette Heyer

Eloisa James returns with another fabulous romance in her New York Times bestselling Desperate Duchesses series! As a young girl, Emilia Gwendolyn Carrington told the annoying future Duke of Pindar that she would marry any man in the world before him—so years later she is horrified to realize that she has nowhere else to turn. Evander Septimus Brody has his own reasons for agreeing to Mia's audacious proposal, but there's one thing he won't give his inconvenient wife: himself. Instead, he offers Mia a devil's bargain . . . he will spend four nights a year with her. Four nights, and nothing more. And those only when she begs for them. Which Mia will never do. Now Vander faces the most crucial challenge of his life: he must seduce his own wife in order to win her heart—and no matter what it takes, this is the one battle he can't afford to lose.

Passion ignites in Nicole Jordan’s delectable, dazzling conclusion to The Courtship Wars. Two years after losing her beloved fiancé to war, Tess Blanchard feels ready to chance love again. Thus she’s aghast when a threatening scandal forces her to wed her longtime nemesis, Ian Sutherland, Duke of Rotham. The impossibly arrogant, irresistibly seductive nobleman is the last man Tess could ever imagine loving. Making matters worse, she discovers secrets in Rotham’s wicked past that send her fleeing London for his remote castle in Cornwall. Having long desired Tess, Ian is exasperated that the ton thinks he’s driven his reluctant new bride from their marriage bed and follows hard on her heels. Naturally, their spirited rivalry leads to glorious, pleasure-filled nights—complicated by a mysterious ghost who haunts Ian’s castle and Tess’s vexing insistence that he play matchmaker to her friends. But can blazing desire between two warring hearts turn into wedded bliss and timeless love?

First He Gave Her A Wicked Kiss . . . Azure-eyed Alanis was by far the most exquisite treasure ever claimed by the black pirate known as the Viper, but his motives went deeper than his silken promise to ravish the feisty Yorkshire heiress. Commanding the waters of the Caribbean was his means to an end: reclaiming his birthright--and his blood debt against those who had betrayed him. Then He Gave Her Nights Of Wicked Pleasure . . . Comfortably betrothed to a nobleman, Alanis never imagined the heady emotions involved in the true games of seduction--games this blackguard seemed to thoroughly enjoy playing with her. Swept up into an adventure that soon revealed a gentleman and kindred spirit beneath the ruthless veneer of a privateer, Alanis began to soften towards her enigmatic captor, as her pride and her heart fell under his erotic spell... "A rich, sweeping, passionate read. Rona Sharon instantly takes her place among the romance greats!" —New York Times bestselling author Rosemary Rogers

In this highly original and much-anticipated ethnography, Anna Tsing challenges not only anthropologists and feminists but all those who study culture to reconsider some of their dearest assumptions. By choosing to locate her study among Meratus Dayaks, a marginal and marginalized group in the deep rainforest of South Kalimantan, Indonesia, Tsing deliberately sets into motion the familiar and stubborn urban fantasies of self and other. Unusual encounters with her remarkably creative and unconventional Meratus friends and teachers, however, provide the opportunity to rethink notions of tradition, community, culture, power, and gender--and the doing of anthropology. Tsing's masterful weaving of ethnography and theory, as well as her humor and lucidity, allow for an extraordinary reading experience for students, scholars, and anyone interested in the complexities of culture. Engaging Meratus in wider conversations involving Indonesian bureaucrats, family planners, experts in international development, Javanese soldiers, American and French feminists, Asian-Americans, right-to-life advocates, and Western intellectuals, Tsing looks not for consensus and coherence in Meratus culture but rather allows individual Meratus men and women to return our gaze. Bearing the fruit from the lively contemporary conversations between anthropology and cultural studies, In the Realm of the Diamond Queen will prove to be a model for thinking and writing about gender, power, and the politics of identity.

A ground-breaking exploration of exile and diaspora as they relate to place, language, religious tradition, literature and the imagination.