Seals and their Context in the Middle Ages offers an extensive overview of approaches to and the potential of sigillography, as well as introducing a wider readership to the range, interest and artistry of medieval seals. Seals were used throughout medieval society in a wide range of contexts: royal, governmental, ecclesiastical, legal, in trade and commerce and on an individual and personal level. The fourteen papers presented here, which originate from a conference held in Aberystwyth in April 2012, focus primarily on British material but there is also useful reference to continental Europe. The volume is divided into three sections looking at the history and use of seals as symbols and representations of power and prestige in a variety of institutional, dynastic and individual contexts, their role in law and legal practice, and aspects of their manufacture, sources and artistic attributes. Importantly and distinctively, the volume moves beyond the study of high status seals to consider such themes as the social and economic status of seal-makers, the nature and meaning – including reflections of deliberate wit and boastfulness – of specific motifs employed at various levels of society, and the distribution of seals in relation to the location of, for instance, religious institutions and along major routeways. In so doing, it sets out ways in which sigillography can open new pathways into the study of non-elites and their cultures in medieval society.

Discussion of display through a range of artefacts and in a variety of contexts: family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. Medieval culture was intensely visual. Although this has long been recognised by art historians and by enthusiasts for particular media, there has been little attempt to study social display as a subject in its own right. And yet, display takes us directly into the values, aspirations and, indeed, anxieties of past societies. In this illustrated volume a group of experts address a series of interrelated themes around the issue of display and do so in a waywhich avoids jargon and overly technical language. Among the themes are family and lineage, social distinction and aspiration, ceremony and social bonding, and the expression of power and authority. The media include monumental effigies, brasses, stained glass, rolls of arms, manuscripts, jewels, plate, seals and coins. Contributors: MAURICE KEEN, DAVID CROUCH, PETER COSS, CAROLINE SHENTON, ADRIAN AILES, FRÉDÉRIQUE LACHAUD, MARIAN CAMPBELL, BRIAN and MOIRA GITTOS, NIGEL SAUL, FIONN PILBROW, CAROLINE BARRON and JOHN WATTS.

First published in 1998, this valuable reference work offers concise, expert answers to questions on all aspects of life and culture in Medieval England, including art, architecture, law, literature, kings, women, music, commerce, technology, warfare and religion. This wide-ranging text encompasses English social, cultural, and political life from the Anglo-Saxon invasions in the fifth century to the turn of the sixteenth century, as well as its ties to the Celtic world of Wales, Scotland and Ireland, the French and Anglo-Norman world of the Continent and the Viking and Scandinavian world of the North Sea. A range of topics are discussed from Sedulius to Skelton, from Wulfstan of York to Reginald Pecock, from Pictish art to Gothic sculpture and from the Vikings to the Black Death. A subject and name index makes it easy to locate information and bibliographies direct users to essential primary and secondary sources as well as key scholarship. With more than 700 entries by over 300 international scholars, this work provides a detailed portrait of the English Middle Ages and will be of great value to students and scholars studying Medieval history in England and Europe, as well as non-specialist readers.