Dallas was the show business capital of Texas and much of the South throughout the 20th century. More than 100 theatres served the citys neighborhoods, and Elm Street once boasted more than 15 vaudeville and movie theatressecond in number to Broadway. The quality of the show houses in Dallas were surpassed by few cities and all major, and most minor, Hollywood studios maintained Dallas offices. Notable names figuring in this history include Margo Jones, Blind Lemon Jefferson, Karl Hoblitzelle, Baruch Lumet, Bob Hope, Greer Garson, Linda Darnell, Howard Hughes, Clyde Barrow, Gene Autry, Oliver Stone, Pappy Dolson, Jack Ruby, Lee Harvey Oswald, Nicola Rescigno, Don Henley, and Frank Lloyd Wright.

Dallas was the show business capital of Texas and much of the South throughout the 20th century. More than 100 theatres served the city's neighborhoods, and Elm Street once boasted more than 15 vaudeville and movie theatres--second in number to Broadway. The quality of the show houses in Dallas were surpassed by few cities and all major, and most minor, Hollywood studios maintained Dallas offices. Notable names figuring in this history include Margo Jones, "Blind" Lemon Jefferson, Karl Hoblitzelle, Baruch Lumet, Bob Hope, Greer Garson, Linda Darnell, Howard Hughes, Clyde Barrow, Gene Autry, Oliver Stone, Pappy Dolson, Jack Ruby, Lee Harvey Oswald, Nicola Rescigno, Don Henley, and Frank Lloyd Wright.

Although founded in 1841, Dallas did not experience significant growth until 1873 when the Texas and Pacific (T&P) Railroad crossed the Houston and Texas Central Railroad (H&TC) near downtown. Securing these railroads led to a prolific building boom that has never fully ended, even during the Great Depression and subsequent world wars. Dallas's ability to sustain growth and development as a banking and commercial center led to the demolition of much of the early built environment, a trend that continues even today. Lost Dallas explores and documents those buildings, neighborhoods, and places that have been lost and even forgotten since the city's modest antebellum beginning.

Through the Lens: Dallas Arts District is a collaboration between the Dallas Arts District (DAD), HALL Group, corporate sponsors and participating local photographers to raise funds for the Dallas Arts District Foundation - the granting arm that re-invests in the visual and performing arts in Dallas.'Through the Lens' was a juried photography competition, open to artists at all levels of experience, featuring photos of the Dallas Arts District. A total of 91 winning images and 57 photographers are featured in this hardbound coffee table book sold at venues throughout the Dallas Arts District. All gross proceeds from the sale of the book will be donated to the Dallas Arts District Foundation. This is the first fundraiser that will support the grants program since the first donation in 1984 by the Crow family.

Outlines the development of drama throughout the world over the last 3000 years, from its origins in primitive dance rituals to the 1990s.

These vintage and contemporary images of Baltimore movie palaces explore the changing face of Charm City with stories and commentary by filmmakers. Since the dawn of popular cinema, Baltimore has been home to hundreds of movie theaters, many of which became legendary monuments to popular culture. But by 2016, the number of cinemas had dwindled to only three. Many theaters have been boarded up, burned out, or repurposed. In this volume, Baltimore Sun photojournalist Amy Davis pairs vintage black-and-white images of downtown movie palaces and modest neighborhood theaters with her own contemporary color photos. Flickering Treasures delves into Baltimore’s cultural and cinematic history, from its troubling legacy of racial segregation to the technological changes that have shaped both American cities and the movie exhibition business. Images of Electric Park, the Century, the Hippodrome, and scores of other beloved venues are punctuated by stories and interviews, as well as commentary from celebrated Baltimore filmmakers Barry Levinson and John Waters. A map and timeline reveal the one-time presence of movie houses in every corner of the city, and fact boxes include the years of operation, address, architect, and seating capacity for each of the 72 theaters profiled, along with a brief description of each theater’s distinct character.

Dallas has a reputation as a progressive city--always ready to build something new to replace the old. In the late 19th century, as Dallas became the transportation and commercial center for North Texas, brick and stone edifices supplanted the simple frame structures of the early days. By the 1920s, the city was the financial capital of the region and boasted the tallest building west of the Mississippi. In 1936, Dallas hosted the Texas Centennial Exposition in Fair Park, an ensemble of art deco buildings that is a National Historic Landmark. As business grew, so did the skyline. Today Dallas has a rich collection of historic buildings that chronicle the city's growth and progress.