West of the Schuylkill River, what was once Blockley and Kingsessing Townships is now West Philadelphia. Here is a comprehensive look at the rich architectural history of neighborhoods in and around University City and biographies of the architects who made it possible. In more than 500 images, see this area of the "City of Brotherly Love" transition from humble beginnings as a collection of sprawling farms and dusty hamlets to a streetcar suburb for upwardly mobile types looking to escape the old city and a haven for esteemed educational institutions. Packed with archival images, maps, and color photos, the book covers Cedar Park to Powelton Village, chronicling the charm and elegance found in West Philadelphia's architecture, much of which is still on public display. Examples include Second Empire, Victorian, Queen Anne, Collegiate Gothic, and Italianate styles. This is a global and historic review ideal for architects, urban planners, historians, and of course residents of Blockley and Kingsessing.

Historic Architecture in Northwest Philadelphia is a colorful and comprehensive look at the rich architectural history of the Wissahickon Valley, and the people who made it possible with a locally sourced building stone, the Wissahickon schist. The simple stone structures of Germantown's origins as a village of German immigrants laid the groundwork for the more elaborate buildings for Philadelphia's rising mercantile class that followed. From the colonial period to the 1930s, this architectural tour explores 450 structures, many still standing and well preserved, in the area from Wayne Junction in Germantown to Northwest Avenue in Chestnut Hill. A wide variety of architectural styles and influences are captured in nearly 750 modern day and archival images, including the Georgian, Colonial, and Federal styles of the eighteenth and early nineteenth centuries; the Revival of those styles and others; Italianate; Second Empire; and Romantic Eclecticism. This extensive architectural review is ideal for architects, historians, and residents of Northwest Philadelphia.

Independence Hall is a place Americans think they know well. Within its walls the Continental Congress declared independence in 1776, and in 1787 the Founding Fathers drafted the U.S. Constitution there. Painstakingly restored to evoke these momentous events, the building appears to have passed through time unscathed, from the heady days of the American Revolution to today. But Independence Hall is more than a symbol of the young nation. Beyond this, according to Charlene Mires, it has a long and varied history of changing uses in an urban environment, almost all of which have been forgotten. In Independence Hall, Mires rediscovers and chronicles the lost history of Independence Hall, in the process exploring the shifting perceptions of this most important building in America's popular imagination. According to Mires, the significance of Independence Hall cannot be fully appreciated without assessing the full range of political, cultural, and social history that has swirled about it for nearly three centuries. During its existence, it has functioned as a civic and cultural center, a political arena and courtroom, and a magnet for public celebrations and demonstrations. Artists such as Thomas Sully frequented Independence Square when Philadelphia served as the nation's capital during the 1790s, and portraitist Charles Willson Peale merged the arts, sciences, and public interest when he transformed a portion of the hall into a center for natural science in 1802. In the 1850s, hearings for accused fugitive slaves who faced the loss of freedom were held, ironically, in this famous birthplace of American independence. Over the years Philadelphians have used the old state house and its public square in a multitude of ways that have transformed it into an arena of conflict: labor grievances have echoed regularly in Independence Square since the 1830s, while civil rights protesters exercised their right to free speech in the turbulent 1960s. As much as the Founding Fathers, these people and events illuminate the building's significance as a cultural symbol.

The many neighborhoods west of the Schuylkill River across from William Penn's "Quaker City" were distinctly rural until 1860, when horsecar lines first crossed the river. The area soon became home to wealthy businessmen who built elegant mansions and villas in University City and Powelton Village. West Philadelphia's growth accelerated northward into Belmont and Parkside-Girard after the 1876 Centennial Exposition and westward into Cedar Park, Spruce Hill, and Walnut Hill in the 1890s with the introduction of electric trolley lines. West Philadelphia: University City to 52nd Street is the first photographic history of the area in the last one hundred years. Images of the typical, modest West Philadelphia row houses, which slowly took over the open farmland after the Market Street Elevated opened in 1907, tell the story of how Philadelphia became known as the "City of Homes." Countless, rarely seen photographs of the streets where people lived and worked fill this extraordinary history.

The second half of the twentieth century saw the University of Pennsylvania grow in size as well as in stature. On its way to becoming one of the world's most celebrated research universities, Penn exemplified the role of urban renewal in the postwar redevelopment and expansion of urban universities, and the indispensable part these institutions played in the remaking of American cities. Yet urban renewal is only one aspect of this history. Drawing from Philadelphia's extensive archives as well as the University's own historical records and publications, John L. Puckett and Mark Frazier Lloyd examine Penn's rise to eminence amid the social, moral, and economic forces that transformed major public and private institutions across the nation. Becoming Penn recounts the shared history of university politics and urban policy as the campus grappled with twentieth-century racial tensions, gender inequality, labor conflicts, and economic retrenchment. Examining key policies and initiatives of the administrations led by presidents Gaylord Harnwell, Martin Meyerson, Sheldon Hackney, and Judith Rodin, Puckett and Lloyd revisit the actors, organizations, and controversies that shaped campus life in this turbulent era. Illustrated with archival photographs of the campus and West Philadelphia neighborhood throughout the late twentieth century, Becoming Penn provides a sweeping portrait of one university's growth and impact within the broader social history of American higher education.