Poems of revolution by one of Latin America’s most beloved poets One of Latin America’s greatest poets, Roque Dalton was a revolutionary whose politics were inseparable from his art. Born in El Salvador in 1935, Dalton dedicated his life to fighting for social justice, while writing fierce, tender poems about his country and its people. In Stories and Poems of a Class Struggle, he explores oppression and resistance through the lens of five poetic personas, each with their own distinct voice. These poems show a country caught in the crosshairs of American imperialism, where the few rule the many and the many struggle to survive—and yet there is joy and even humor to be found here, as well as an abiding faith in humanity. In striking, immediate, exuberantly inventive language, Dalton captures the ethos of a people, as stirring now as when the book was first published forty years ago. “I believe the world is beautiful,” he writes, “and that poetry, like bread, is for everyone.”

“The revolutionary the dictatorship couldn’t kill, the trickster poet favored by the gods.” —Ben Ehrenreich, author of The Way to Spring: Life and Death in Palestine Poems of revolution by one of Latin America’s most beloved poets One of Latin America’s greatest poets, Roque Dalton was a revolutionary whose politics were inseparable from his art. Born in El Salvador in 1935, Dalton dedicated his life to fighting for social justice, while writing fierce, tender poems about his country and its people. In Poemas clandestinos / Stories and Poems of a Class Struggle, he explores oppression and resistance through the lens of five poetic personas, each with their own distinct voice. These poems show a country caught in the crosshairs of American imperialism, where the few rule the many and the many struggle to survive—and yet there is joy and even humor to be found here, as well as an abiding faith in humanity. In striking, immediate, exuberantly inventive language, Dalton captures the ethos of a people, as stirring now as when the book was first published nearly forty years ago. “I believe the world is beautiful,” he writes, “and that poetry, like bread, is for everyone.”

Places in the Making maps a range of twentieth- and twenty-first century American poets who have used language to evoke the world at various scales. Distinct from related traditions including landscape poetry, nature poetry, and pastoral poetry—which tend toward more idealized and transcendent lyric registers—this study traces a poetics centered upon more particular and situated engagements with actual places and spaces. Close generic predecessors of this mode, such as topographical poetry and loco-descriptive poetry, folded themselves into the various regionalist traditions of the late-nineteenth and early-twentieth centuries, but place making in modern and contemporary American poetics has extended beyond its immediate environs, unfolding at the juncture of the proximate and the remote, and establishing transnational, planetary, and cosmic formations in the process. Turning to geography as an interdisciplinary point of departure, Places in the Making distinguishes itself by taking a comparative and multiethnic approach, considering the relationship between identity and emplacement among a more representative demographic cross-section of Americans, and extending its inquiry beyond national borders. Positing place as a pivotal axis of identification and heralding emplacement as a crucial model for cultural, intellectual, and political activity in a period marked and imperiled by a tendency toward dislocation, the critical vocabulary of this project centers upon the work of place-making. It attends to a poetics that extends beyond epic and lyric modes while relying simultaneously on auditory and visual effects and proceeding in the interests of environmental advocacy and social justice, often in contrast to the more orthodox concerns of literary modernism, global capitalism, and print culture. Focusing on poets of international reputation, such as Elizabeth Bishop, Pablo Neruda, Charles Olson, and William Carlos Williams, Places in the Making also considers work by more recent figures, including Kamau Brathwaite, Joy Harjo, Myung Mi Kim, and Craig Santos Perez. In its larger comparative, multiethnic, and transnational emphases, this book addresses questions of particular moment in American literary and cultural studies and aspires to serve as a catalyst for further interdisciplinary work connecting geography and the humanities.

Miguel Mármol is the testimony of a revolutionary, as recorded by Salvadoran writer, Roque Dalton, which documents the historical and political events of El Salvador through the first decades of the 20th century. This Latin American classic describes the growth and development of the workers' movement and the communist party in El Salvador and Guatemala, and contains Mármol's impressions of post-revolutionary Russia in the twenties, describing in vivid detail the brutality and repression of the Martínez dictatorship and the reemergence of the workers' movement after Martínez was ousted. It also gives a broad and clear picture of the lives of the ordinary peasant and worker in Central America, their sufferings, their hopes and their struggles.

Named one of the outstanding translations of 1996 by the American Literary Translators Association. One of the greatest figures in Central American letters of this century. His genius is transcendent. --Arturo Arias. [Dalton's poetry illustrates] his profound conviction that the poet can and must, in his life as in his work, serve as the finely-honed scalpel of change, both in word and deed. --Claribel Alegría. This man's work hits me harder than springtime. --E. Ethelbert Miller. A great gift to American poetry. --The Boston Globe.

The first memoir about the "reeducation" camps by a Uyghur woman. “I have written what I lived. The atrocious reality.” — Gulbahar Haitiwaji to Paris Match Since 2017, more than one million Uyghurs have been deported from their homes in the Xinjiang region of China to “reeducation camps.” The brutal repression of the Uyghurs, a Turkish-speaking Muslim ethnic group, has been denounced as genocide, and reported widely in media around the world. The Xinjiang Papers, revealed by the New York Times in 2019, expose the brutal repression of the Uyghur ethnicity by means of forced mass detention­—the biggest since the time of Mao. Her name is Gulbahar Haitiwaji and she is the first Uyghur woman to write a memoir about the 'reeducation' camps. For three years Haitiwaji endured hundreds of hours of interrogations, torture, hunger, police violence, brainwashing, forced sterilization, freezing cold, and nights under blinding neon light in her prison cell. These camps are to China what the Gulags were to the USSR. The Chinese government denies that they are concentration camps, seeking to legitimize their existence in the name of the “total fight against Islamic terrorism, infiltration and separatism,” and calls them “schools.” But none of this is true. Gulbahar only escaped thanks to the relentless efforts of her daughter. Her courageous memoir is a terrifying portrait of the atrocities she endured in the Chinese gulag and how the treatment of the Uyghurs at the hands of the Chinese government is just the latest example of their oppression of independent minorities within Chinese borders. The Xinjiang region where the Uyghurs live is where the Chinese government wishes there to be a new “silk route,” connecting Asia to Europe, considered to be the most important political project of president Xi Jinping.

A poetry collection for young adults brings together some of the most compelling and vibrant voices today reflecting the experiences of teen immigrants and refugees. With authenticity, integrity, and insight, this collection of poems addresses the many issues confronting first- and second- generation young adult immigrants and refugees, such as cultural and language differences, homesickness, social exclusion, human rights, racism, stereotyping, and questions of identity. Poems by Elizabeth Acevedo, Erika L. Sánchez, Samira Ahmed, Chen Chen, Ocean Vuong, Fatimah Asghar, Carlos Andrés Gómez, Bao Phi, Kaveh Akbar, Hala Alyan, and Ada Limón, among others, encourage readers to honor their roots as well as explore new paths, offering empathy and hope for those who are struggling to overcome discrimination. Many of the struggles immigrant and refugee teens face head-on are also experienced by young people everywhere as they contend with isolation, self-doubt, confusion, and emotional dislocation. Ink Knows No Borders is the first book of its kind and features 65 poems and a foreword by poet Javier Zamora, who crossed the border, unaccompanied, at the age of nine, and an afterword by Emtithal Mahmoud, World Poetry Slam Champion and Honorary Goodwill Ambassador for UNHCR, the UN Refugee Agency. Brief biographies of the poets are included, as well. It's a hopeful, beautiful, and meaningful book for any reader.