A critical edition, translation, and study of a historical narrative compiled at the Benedictine abbey of Selby in Yorkshire in 1174 by a monk of the community. It tells the story of a runaway monk of the French monastery of Auxerre, his travels to England, and his foundation of a hermitage on the banks of the River Ouse.

This book, first published in 1994, studies aristocratic politics and government in Yorkshire in the century after 1066.

This compelling new biography provides the most authoritative picture yet of King Stephen, whose reign (1135-1154), with its "nineteen long winters" of civil war, made his name synonymous with failed leadership. After years of work on the sources, Edmund King shows with rare clarity the strengths and weaknesses of the monarch. Keeping Stephen at the forefront of his account, the author also chronicles the activities of key family members and associates whose loyal support sustained Stephen's kingship. In 1135 the popular Stephen was elected king against the claims of the empress Matilda and her sons. But by 1153, Stephen had lost control over Normandy and other important regions, England had lost prestige, and the weakened king was forced to cede his family's right to succession. A rich narrative covering the drama of a tumultuous reign, this book focuses well-deserved attention on a king who lost control of his destiny.

Combining literary theory and historiography, Monika Otter explores the relationship between history and fiction in the Latin literature of twelfth-century England. The beginnings of fiction have commonly been associated with vernacular romance, but Otter demonstrates that writers of Latin historical narratives also employed the self-referential techniques characteristic of fiction. Beginning with inventiones, a genre dealing with the discovery of saints' relics, Otter reveals how exploring the fundamental problems of writing history and the nature of truth itself leads monastic or clerical Latin writers to a budding awareness of fictionality. According to Otter, accounts of conquests, treasure hunts, descents into underground worlds, and efforts (usually unsuccessful) to retrieve subterranean objects serve as self-referential metaphors for the problems of accessing and retrieving the past; they are thus designed to shake the reader's faith in historical representation and highlight the textuality of the historical account. Otter traces this self-conscious use of fictional elements within historical narrative through the works of William of Malmesbury, Geoffrey of Monmouth, Gerald of Wales, Walter Map, and William of Newburgh. Originally published in 1996. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

The fighting bishop or abbot is a familiar figure to medievalists and much of what is known of the military organization of England in this period is based on ecclesiastical evidence. Unfortunately the fighting cleric has generally been regarded as merely a baron in clerical dress and has consequently fallen into the gap between military and ecclesiastical history. This study addresses three main areas: which clergy engaged in military activity in England, why and when? By what means did they do so? And how did others understand and react to these activities? The book shows that, however vivid such characters as Odo of Bayeux might be in the historical imagination, there was no archetypal militant prelate. There was enormous variation in the character of the clergy that became involved in warfare, their circumstances, the means by which they pursued their military objectives and the way in which they were treated by contemporaries and described by chroniclers. An appreciation of the individual fighting cleric must be both thematically broad and keenly aware of his context. Such individuals cannot therefore be simply slotted into easy categories, even (or perhaps especially) when those categories are informed by contemporary polemic. The implications of this study for our understanding of clerical identity are considerable, as the easy distinction between clerics acting in a secular or ecclesiastical capacity almost entirely breaks down and the legal structures of the period are shown to be almost as equivocal and idiosyncratic as the literary depictions. The implications for military history are equally striking as organisational structures are shown to be more temporary, fluid and 'political' than had previously been understood.

The Deeds of the abbots of St Albans records the history of one of the most important abbeys in England, closely linked to the royal family and home to a school of distinguished chroniclers, including Matthew Paris and Thomas Walsingham. It offers many insights into the life of the monastery, its buildings and its role as a maker of books, and covers the period from the Conquest to the mid-fifteenth century. The Deeds of the abbots of St Albans is the longest continuous chronicle of a medieval monastery in England, following its fortunes from its first foundation in the wake of the first Viking raids to its status as a proud and prosperous pillar of the church establishment more than six centuries later. More than merely a common, conventual annal, the Deeds drew contributions from the most accomplished chroniclers of the St Albans school including Matthew Paris, Thomas Walsingham and perhaps William Rishanger. It is a history of one of the most important abbeys, under royal patronage and always at the apex of the church hierarchy; it also offers a glimpse of life inside the monastic community from the Conquest to within a century of the Dissolution. There are detailed descriptions of the building, and rebuilding, of the abbey church, and recounts the abbey's commitment to the making of books, from thefirst flowering of the scriptorium in the twelfth century - when a famous psalter was made for the anchorite Christina of Markyate - to its Indian summer in the years before 1400 under Thomas Walsingham himself. There are rare snapshots of the daily routine of the monks, their liturgical observances, their interactions with their staff, tenants, townspeople and guests. And it captures the colour and character of the celebrated figures seen at the abbey, from King John to Edward the Black Prince.