The most sophisticated and complete work to date of punk and metal artist Alexander Heir.

The final volume of The Rifter Series. John Toffler never saw himself as a soldier, but now with a bounty on his head and the Payshmura forces gathering, he knows he must do all he can to save those he loves. But even he may not be able to control the terrible forces that lie hidden within his sacred bones.

A collection of imagery from the multidisciplinary artist Jesse Draxler's career, 2013- present.

Leap across time with bestselling author Harvey Rachlin as he collects over 50 of the most fascinating objects in the world, under one book. The Mounted Hide of Stonewall Jackson's Battle Horse, The Black Obelisk, The Rosetta Stone, George Washington's False Teeth, Vice Admiral Lord Nelson's Uniform Coat, The Elephant Man's Skeleton, and Lincoln's Death Bed are just some of the objects Rachlin explores with wit, pick and an amazing sense of spectacle. Publisher's Weekly calls Lucy's Bone's, Sacred Stones, and Einstein's Brain "entertaining and enlightening." Library Journal declares Rachin's work "fascinating." Parade says it is "detailed and authoritative." It is also intensely moving as Rachlin weaves together seemingly disparate histories into a holistic statement that celebrates human endeavor. This book is not simply wonderful -- it is full of wonder.

Relics were everywhere in medieval society. Saintly morsels such as bones, hair, teeth, blood, milk, and clothes, and items like the Crown of Thorns, coveted by Louis IX of France, were thought to bring the believer closer to the saint, who might intercede with God on his or her behalf. In the first comprehensive history in English of the rise of relic cults, Charles Freeman takes readers on a vivid, fast-paced journey from Constantinople to the northern Isles of Scotland over the course of a millennium.In "Holy Bones, Holy Dust," Freeman illustrates that the pervasiveness and variety of relics answered very specific needs of ordinary people across a darkened Europe under threat of political upheavals, disease, and hellfire. But relics were not only venerated--they were traded, collected, lost, stolen, duplicated, and destroyed. They were bargaining chips, good business and good propaganda, politically appropriated across Europe, and even used to wield military power. Freeman examines an expansive array of relics, showing how the mania for these objects deepens our understanding of the medieval world and why these relics continue to capture our imagination.