She is the prize.To win her?They have to breed her.Prince Fero won't let anyone else touch her.As a small-town girl, all Olivia wants is a happy life, a comfy couch, and binge-watching reality TV shows. Unfortunately for her, she gets to be in one. Abducted by aliens, she is forced to take part in a brutal reality survival show on an alien planet, only she isn't one of the contestants. She's the goal. The moment Prince Fero sets eyes on her, he knows. She is the one he has waited for his entire life. Yet she doesn't even know who he is. His heart knows her. No matter how many warriors he must fight, no matter what he has to do, he will protect her, he will claim her as his own.What if she doesn't want to be claimed? This standalone action adventure science fiction romance novel features spicy hot scenes, dangerous adversaries, deadly fights, rescue romance, enthusiastic consent, a spunky fertile Earth woman, and one possessive smoking hot alien Prince.

“A groundbreaking work about race and the American landscape, and a deep meditation on nature…wise and beautiful.”—Helen Macdonald, author of H is for Hawk A Foreword Reviews Best Book of the Year and Nautilus Silver Award Winner In me, there is the red of miry clay, the brown of spring floods, the gold of ripening tobacco. All of these hues are me; I am, in the deepest sense, colored. Dating back to slavery, Edgefield County, South Carolina—a place “easy to pass by on the way somewhere else”—has been home to generations of Lanhams. In The Home Place, readers meet these extraordinary people, including Drew himself, who over the course of the 1970s falls in love with the natural world around him. As his passion takes flight, however, he begins to ask what it means to be “the rare bird, the oddity.” By turns angry, funny, elegiac, and heartbreaking, The Home Place is a meditation on nature and belonging by an ornithologist and professor of ecology, at once a deeply moving memoir and riveting exploration of the contradictions of black identity in the rural South—and in America today. “When you’re done with The Home Place, it won’t be done with you. Its wonders will linger like everything luminous.”—Star Tribune “A lyrical story about the power of the wild…synthesizes his own family history, geography, nature, and race into a compelling argument for conservation and resilience.”—National Geographic

Rural women comprised the largest part of the adult population of Texas until 1940 and in the American South until 1960. On the cotton farms of Central Texas, women's labor was essential. In addition to working untold hours in the fields, women shouldered

Chronicles the history of the oil industry and the forces that have shaped the modern world.

Colliding with and confronting The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal explore Jamaican childhood and history, race relations in America, womanhood, otherness, and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven. Here the female body is a dark landscape; the female body is cannibal. Sinclair shocks and delights her readers with her willingness to disorient and provoke, creating a multitextured collage of beautiful and explosive poems.