The Four Horsemen narrates the history of revolution in Spain, Naples, Greece, and Russia in the 1820s, connecting the social movements and activities on the ground, in the inimitable voice of a renowned historian.

Offers a short history of Spain during a crucial period, the reign of Alfonso XIII (1902-1931). This book provides fresh insight into the period as one that was actually characterised by extensive modernisation in Spanish society and politics.

Preaching Spanish Nationalism across the Hispanic Atlantic skillfully debates the prevailing view that the monolithic Catholic Church -- as the symbol of the ancien r?gime -- subverted a secular progression toward nationalism and modernity. It was, Scott Eastman deftly contends, the tenets of Roman Catholicism and the ideals of Enlightenment worked together to lay the basis for a "mixed modernity" within the territories of the Spanish monarchy.

This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.