No one saw her leave, and no one knows where she went... It's a perfectly typical day for Lowell Mitchell at her perfectly ordinary university in Massachusetts. She goes to class, chats with friends, and retires to her dorm room. Everything is normal until suddenly it's not—in the blink of an eye, Lowell is gone. Facts are everything for Police Chief Frank Ford. He's a small-town cop, and he knows only hard evidence and thorough procedure will lead him to the truth. Together with the wise-cracking officer Burt Cameron, the grizzled chief will deal with the distraught family, chase dead-end leads, interrogate shady witnesses, and spend late nights ruminating over black coffee and cigars. Everyone tells him what a good, responsible girl Lowell is. But Ford believes that Lowell had a secret and that if he can discover it, this case will crack wide open. Considered one of the first-ever police procedurals and hailed as an American mystery milestone, Last Seen Wearing—based on a true story—builds suspense through its accurate portrayal of an official police investigation. Hillary Waugh, who earned the title of Grand Master from the Mystery Writers of America, went on to create several memorable series, but this classic crime novel ranks among his finest work. This next installment in the Library of Congress Crime Classics series will keep readers in suspense until the final page.

For the first time in one place, Roger M. Sobin has compiled a list of nominees and award winners of virtually every mystery award ever presented. He has also included many of the “best of” lists by more than fifty of the most important contributors to the genre.; Mr. Sobin spent more than two decades gathering the data and lists in this volume, much of that time he used to recheck the accuracy of the material he had collected. Several of the “best of” lists appear here for the first time in book form. Several others have been unavailable for a number of years.; Of special note, are Anthony Boucher’s “Best Picks for the Year.” Boucher, one of the major mystery reviewers of all time, reviewed for The San Francisco Chronicle, Ellery Queen Mystery Magazine, and The New York Times. From these resources Mr. Sobin created “Boucher’s Best” and “Important Lists to Consider,” lists that provide insight into important writing in the field from 1942 through Boucher’s death in 1968.? This is a great resource for all mystery readers and collectors.; ; Winner of the 2008 Macavity Awards for Best Mystery Nonfiction.

Mystery and detective novels are popular fictional genres within Western literature. As such, they provide a wealth of information about popular art and culture. When the genre develops within various cultures, it adopts, and proceeds to dominate, native expressions and imagery. American mystery and detective novels appeared in the late nineteenth century. This reference provides a selective guide to the important criticism of American mystery and detective novels and presents general features of the genre and its historical development over the past two centuries. Critical approaches covered in the volume include story as game, images, myth criticism, formalism and structuralism, psychonalysis, Marxism and more. Comparisons with related genres, such as gothic, suspense, gangster, and postmodern novels, illustrate similarities and differences important to the understanding of the unique components of mystery and detective fiction. The guide is divided into five major sections: a brief history, related genres, criticism, authors, and reference. This organization accounts for the literary history and types of novels stemming from the mystery and detective genre. A chronology provides a helpful overview of the development and transformation of the genre.

"Entertaining and authoritative, this alphabetically arranged companion is an indispensable reference guide to crime and mystery writing. Unique in its biographical and critical treatment of major detective writers, it is a comprehensive digest to the gen

If you have ever stared a page that remains stubbornly blank; if you have ever wondered why writers write, or whether good writers are born or made; if you are a novelist, playwright, poet, or journalist, or simply delight in the written word, The Writer's Quotebook is for you. Whether you keep it in your office, on your coffee table, next to your keyboard or your bed, this rich compendium of over one thousand quotations will inspire, invigorate, and illuminate the often challenging, sometimes humorous, but always fascinating task of those who bring words to life. From William Faulkner and Ernest Hemingway to Doris Lessing and Joyce Carol Oates, more than five hundred published writers put pen to paper on what the literary life is all about. Selections come from seasoned professionals as well as those just establishing their voice, and they represent a variety of nationalities and genres. The book is divided into three sections. The first part is devoted to the creative process, including thoughts on where writers get their ideas, the role of inspiration, what kind of people write, and where talent comes from. In part two, the subject shifts to writing as a craft. Here, authors ponder the creation of protagonists and points of view, the writing of dialogue, setting and description, creating plots, and the anatomy of style. The final third of the book deals with the challenges and rewards that come with the writing life. Subjects in this section include the economic realities of writing, classes, conferences, and workshops, dealing with rejection and bad reviews, writing habits and rituals, despair, alcohol, suicide, and fame. Articulated with elegant metaphor, in straightforward prose, or with wry wit, the carefully selected and thoughtfully organized quotations come together to form a narrative that entertains, informs, and in the case of aspiring writers, shows the way to better writing.

Father Brown, an ordinary priest whose unremarkable exterior conceals extraordinary crime-solving ability, is celebrated for his solutions to metaphysical mysteries, a genre perfected by his creator, G. K. Chesterton. More than lighthearted comedies built around puzzling crimes, these superbly written tales contain deeply perceptive philosophical reflections. The Innocence of Father Brown (1911) was the first collection of stories featuring the ecclesiastical sleuth and is widely considered the best. In this annotated edition of the collection, the Chesterton scholar Martin Gardner provides detailed notes and background information on various aspects of such stories as "The Blue Cross," "The Secret Garden," "The Invisible Man," "The Hammer of God," "The Eye of Apollo," and seven more, as well as an informative introduction and an extensive bibliography. Included also are eight illustrations reproduced from the first edition. The result is an indispensable companion for all Chesterton enthusiasts and a perfect introduction for anyone who has yet to meet the incomparable Father Brown.