Hikayat Abu al-Qasim, probably written in the 11th century by the otherwise unknown al-Azdi, tells the story of a gate-crasher from Baghdad named Abu al-Qasim, who shows up uninvited at a party in Isfahan. Dressed as a holy man and reciting religious poetry, he soon relaxes his demeanour, and, growing intoxicated on wine, insults the other dinner guests and their Iranian hometown. Widely hailed as a narrative unique in the history of Arabic literature, a ikA yah also reflects a much larger tradition of banquet texts. Painting a picture of a party-crasher who is at once a holy man and a rogue, he is a figure familiar to those who have studied the ancient cynic tradition or other portrayals of wise fools, tricksters and saints in literatures from the Mediterranean and beyond. This study therefore compares a ikA yah, a mysterious text surviving in a single manuscript, to other comical banquet texts and party-crashing characters, both from contemporary Arabic literature and from Ancient Greece and Rome.

Hikayat Abu al-Qasim, probably written in the 11th century by the otherwise unknown al-Azdi, tells the story of a gate-crasher from Baghdad named Abu al-Qasim, who shows up uninvited at a party in Isfahan. Dressed as a holy man and reciting religious poetry, he soon relaxes his demeanour, and, growing intoxicated on wine, insults the other dinner guests and their Iranian hometown. Widely hailed as a narrative unique in the history of Arabic literature, a ikA yah also reflects a much larger tradition of banquet texts. Painting a picture of a party-crasher who is at once a holy man and a rogue, he is a figure familiar to those who have studied the ancient cynic tradition or other portrayals of wise fools, tricksters and saints in literatures from the Mediterranean and beyond. This study therefore compares a ikA yah, a mysterious text surviving in a single manuscript, to other comical banquet texts and party-crashing characters, both from contemporary Arabic literature and from Ancient Greece and Rome.

This study compares 'Ḥikāyat', a mysterious text surviving in a single manuscript, to other comical banquet texts and party-crashing characters, especially from ancient Greece and Rome.

This study centers on an unusual medieval Arabic text, probably from the 11th century, called Hikayat Abi al-Qasim (The Imitation of Abu al-Qasim). The Hikaya tells the tale of a Baghdadi party-crasher crashing a party in Isfahan, and the author informs us in his introduction that this party-crasher is meant to represent a microcosm of the city of Baghdad. The author also tells us that this text can be read in the same amount of time that the events portrayed take to occur, creating a real-time depiction of time passing perhaps unparalleled in literary history. In analyzing this work, I draw from the ample scholarship on other ancient and medieval portrayals of banquets and dinner conversation, and especially those written in Latin. The Satyrica of Petronius, likened by several scholars to the Hikaya, features prominently in this analysis. In portraying Baghdad as an old party-crasher who not only demands to be fed but who dominates the conversation with his overabundant speech, the Hikaya paints the city as an entity who, although its physical power may be dwindling, continues to dominate the literary conversation with overbearing arrogance. Abu al-Qasim himself is part of a literary tradition of party-crashing characters. Although these characters, as outsiders to the feast, typically act as guides to the reader, Abu al-Qasim does not describe the Isfahani feast that he is crashing, but rather drowns it out with his words. The tension between language and food is a theme in banquet literature that often serves to problematize the representational qualities of language. The use of language in the Hikaya highlights the power of words to confuse or deceive, thereby calling into question the didactic value of the text even when it claims to be teaching us something. I show that the style known as mujun (which often involves a kind of nonsense language) might be compared to playing a game. I conclude by showing that Abu al-Qasim, as a microcosm, is a playful Doppelgänger of the prophet Muhammad. Like Muhammad, he represents both a real human being and a cosmic symbol, and the Hikaya can be seen as his Qurʹan.

The 20 years' caliphate of al-Maʾmūn began as a stormy period in Middle Eastern history; after the comparatively peaceful reign of his father Hārūn al-Rashīd, the caliphate was plunged into violent civil warfare in both Iraq and Arabia, involving the sons of al-Rashīd, rivals for the supreme authority, and various other sectarian rebels and aspirants for power. Yet once peace was secured and the caliphate lands united once more, al-Maʾmūn's reign settled down into one of the most exciting and innovative of the mediaeval caliphate. The Caliph himself was a highly cultivated man who possessed a keen intellectual curiosity and who interested himself in the practical sciences, astronomy and mathematics. He also encouraged the translating of Greek philosophical, scientific and medical works from Greek and Syriac into Arabic and involved himself in theological controversies in which the dialectical techniques of the Greek thinkers were to figure. Ṭabarī's history of this period constitutes a prime source for political and military history. His racy and vivid style, including many verbatim conversations and documents, brings the Caliphate of al-Maʾmūn very much alive. A discounted price is available when purchasing the entire 39-volume History of al-Ṭabarī set. Contact SUNY Press for more information.

The 20 years' caliphate of al-Maʾmūn began as a stormy period in Middle Eastern history; after the comparatively peaceful reign of his father Hārūn al-Rashīd, the caliphate was plunged into violent civil warfare in both Iraq and Arabia, involving the sons of al-Rashīd, rivals for the supreme authority, and various other sectarian rebels and aspirants for power. Yet once peace was secured and the caliphate lands united once more, al-Maʾmūn's reign settled down into one of the most exciting and innovative of the mediaeval caliphate. The Caliph himself was a highly cultivated man who possessed a keen intellectual curiosity and who interested himself in the practical sciences, astronomy and mathematics. He also encouraged the translating of Greek philosophical, scientific and medical works from Greek and Syriac into Arabic and involved himself in theological controversies in which the dialectical techniques of the Greek thinkers were to figure. Ṭabarī's history of this period constitutes a prime source for political and military history. His racy and vivid style, including many verbatim conversations and documents, brings the Caliphate of al-Maʾmūn very much alive. A discounted price is available when purchasing the entire 39-volume History of al-Ṭabarī set. Contact SUNY Press for more information.