The terrorist agents of H.A.V.O.C. in the year A.D. 2020 attempt to destroy Dallas Colony One, and the reader, as Cal Phoenix, must defend his people.

In 2006 a long-forgotten canister of film was discovered in a church in Devon, a county located in the southwestern corner of the United Kingdom. No one knew how it had gotten there, but its contents were tantalizing—the grainy black and white footage showed members of the German SS and police building a road in Ukraine and Crimea in 1943. The BBC caused a sensation when it aired the footage, but the film gave few clues to the protagonists or their task. World War II historian G. H. Bennett pieces together the story of the film and its principal characters in The Nazi, the Painter and the Forgotten Story of the SS Road. In his search for answers, Bennett unearthed an overlooked chapter of the Holocaust: a wartime German road-building project led by Walter Gieseke, the Nazi policeman who ended up running the SS task force, that served the dual purpose of exterminating Jewish and other lives while laying the infrastructure for a utopian Nazi haven in the Ukraine. Bennett tells the story of the road and its builders through the experiences of Arnold Daghani, a Romanian artist who was one of the few Jewish laborers to survive the project. Daghani describes the brutal treatment he endured, as well as the beating, torture, and murder of his fellow laborers by the Nazis, and his postwar efforts to bring the perpetrators to justice. Recovering an important but lost episode in the history of World War II and the Holocaust, The Nazi, the Painter and the Forgotten Story of the SS Road is a moving and at times horrifying chronicle of suffering, deprivation, and survival.

"With its ... over thousand] detailed and expansive footnotes drawing on twenty-four different archive collections in eight countries and three continents and an enormous secondary literature, this is one of the best researched regional studies of the Holocaust ever to appear. It is helped by the fact that the authors are also always so cognizant of what was happening elsewhere in Europe at the same time and thus frequently draw out the relationship between seemingly haphazard local decisions and trends across Europe...Indeed, the way in which the book 'makes sense' of complex institutional behavior is at times breathtaking...The precision in the detail and the scope of the contextualization make this one of the more important works to appear on the Holocaust in recent years." - English Historical Review "This very readable and well documented study fills an important gap in the Holocaust literature: it offers insight into the microcosm reflecting the entire terrifying and murderous scenario of the SS State." - Frankfurter Allgemeine Zeitung " This] excellent study of the Riga ghetto, informed by Eastern European sources and available now in English translation, provides a precise and ghastly description of what the liquidation] meant for the local Jews. With laudable thoroughness, they describe the organized shooting of Jews, the first form of industrial-scale mass murder." - The New York Review of Books Ghetto, forced labor camp, concentration camp: All of the elements of the National Socialists' policies of annihilation were to be found in Riga. This first analysis of the Riga ghetto and the nearby camps of Salaspils and Jungfernhof addresses all aspects of German occupation policy during the Second World War. Drawing upon a broad array of sources that includes previously inaccessible Soviet archives, postwar criminal investigations, and trial records of alleged perpetrators, and the records of the Society of Survivors of the Riga Ghetto, the authors have produced an in-depth study of the Riga ghetto that never loses sight of the Latvian capital's place within the overall design of Nazi policy and the all-of-Europe dimension of the Holocaust. Andrej Angrick, a native of Berlin, is a historian, consultant, and researcher affiliated with the Hamburg Foundation for the Promotion of Science and Culture. He has published numerous articles about the Holocaust in the Soviet Union and co-edited Der Dienstkalender Heinrich Himmlers 1941/42 (1999) and Die Gestapo nach 1945: Karrieren, Konflikte, Konstruktionen (with Klaus-Michael Mallmann, 2009), as well as Besatzungspolitik und Massenmord: Die Einsatzgruppe D in der s dlichen Sowjetunion 1941-1943 (2003). Peter Klein, a Berlin-based historian, consultant, and researcher affiliated with the Hamburg Foundation for the Promotion of Science and Culture, has published widely on the Holocaust and German occupation in various parts of central and eastern Europe during the Second World War. Klein was the editor of Die Einsatzgruppen in der besetzten Sowjetunion 1941/1942 (1997) and a co-editor of Der Dienstkalender Heinrich Himmlers 1941/42 (1999). He is the author of "Gettoverwaltung Litzmannstadt" (2009). Ray Brandon is a freelance translator, historian, and researcher based in Berlin. A former editor at the Frankfurter Allgemeine Zeitung, English Edition, he is co-editor, with Wendy Lower, of The Shoah in Ukraine: History, Testimony, Memorialization.

This important book from a Pulitzer Prize finalist follows the brutal journey a group of men take to cross the Mexican border: "the single most compelling, lucid, and lyrical contemporary account of the absurdity of U.S. border policy" (The Atlantic). In May 2001, a group of men attempted to cross the Mexican border into the desert of southern Arizona, through the deadliest region of the continent, the "Devil's Highway." Three years later, Luis Alberto Urrea wrote about what happened to them. The result was a national bestseller, a Pulitzer Prize finalist, a "book of the year" in multiple newspapers, and a work proclaimed as a modern American classic.

A brain-rotting virus rages in the Florida Keys. The bewildered government destroys the mainland bridge and quarantines the islands. Soon, the population descends into chaos, as rival factions battle over dwindling resources, buildings become fortresses, boats lash together as defensible islands, and whole neighborhoods wall off into armed camps.

"The Kindertransport Quilts are a form of folk art which allows multiple artists, each with their own artistic expression, to produce a work with a unifying theme. Each square expresses its creator's view of the Kindertransport experience: pictures of the past, fears and nightmares, memorials to lost family. They express traumatic childhood experiences, as recalled with the perspective of maturity ... We are grateful to Kirsten Grosz for having produced these quilts, touching and artistic reminders of the Holocaust."--p. 7

A panoramic narrative of the years leading up to the Second World War—a tale of democratic crisis, racial conflict, and a belated recognition of evil, with profound resonance for our own time. Berlin, November 1937. Adolf Hitler meets with his military commanders to impress upon them the urgent necessity for a war of aggression in eastern Europe. Some generals are unnerved by the Führer’s grandiose plan, but these dissenters are silenced one by one, setting in motion events that will culminate in the most calamitous war in history. Benjamin Carter Hett takes us behind the scenes in Berlin, London, Moscow, and Washington, revealing the unsettled politics within each country in the wake of the German dictator’s growing provocations. He reveals the fitful path by which anti-Nazi forces inside and outside Germany came to understand Hitler’s true menace to European civilization and learned to oppose him, painting a sweeping portrait of governments under siege, as larger-than-life figures struggled to turn events to their advantage. As in The Death of Democracy, his acclaimed history of the fall of the Weimar Republic, Hett draws on original sources and newly released documents to show how these long-ago conflicts have unexpected resonances in our own time. To read The Nazi Menace is to see past and present in a new and unnerving light.