"In honor of the Oriental Institute's centennial celebration, this special edition guide to 100 select highlights of the collections of the Oriental Institute Museum at the University of Chicago presents objects from ancient Mesopotamia, Syro-Anatolia, the Levant, Egypt, Nubia, and Persia. The guide features a history of the collections, new photography, provenance information, and a brief description of each object"--

Emily Teter, research associate at the Institute, has selected 62 works from the over 25,000 in the Egyptian collection at the Oriental Institute at the U. of Chicago to provide the general reader and visitor with a sample of the breadth and significance of this little published collection. In addition to the royal portraits and relief sculpture commonly associated with Egyptian art, some more unusual works are included, such as lamps, grooming implements, and games. A history of the collection, especially the role of James Henry Breasted, begins the volume. A glossary, bibliography, map, chronology, and three indexes are included. Distributed in the US by the David Brown Book Company. Annotation ♭2004 Book News, Inc., Portland, OR (booknews.com).

This guide to over 100 highlights of the collections of the Oriental Institute Museum at the University of Chicago presents objects from ancient Mesopotamia, Syria-Anatolia, the Levant, Egypt, Persia, Nubia, and objects from the Islamic collection. It features all new photography, provenance information, and a brief description of each object, as well as a history of the collections and a concordance.

This fully illustrated catalogue of essays, descriptions, and commentary accompanies the Oriental Institute special exhibit Picturing the Past: Imaging and Imagining the Ancient Middle East (on exhibit February 7 through September 2, 2012). Picturing the Past presents paintings, architectural reconstructions, facsimiles, models, photographs, and computer-aided reconstructions that show how the architecture, sites, and artifacts of the ancient Middle East have been documented. It also examines how the publication of those images have shaped our perception of the ancient world, and how some of the more "imaginary" reconstructions have obscured our real understanding of the past. The exhibit and catalog also show how features of the ancient Middle East have been presented in different ways for different audiences, in some cases transforming a highly academic image into a widely recognized icon of the past.

"This volume ... commemorates the OI at its centennial. ..."--Page xii.

Hope for life after death is evidenced even in prehistoric times in Upper Egypt. The first written aids for attaining and supporting life in the hereafter were the Pyramid Texts inscribed within royal tombs towards the end of the Old Kingdom. In the Middle Kingdom, many texts were borrowed from the pyramid chambers and mingled with new spells; this new form, which today we call Coffin Texts, was usually written inside coffins. These eventually gave way to what we now know as the Book of the Dead. The collections of spells were usually written on rolls of papyrus, that is, in the form of an Egyptian book. Presented here are seventy Book of the Dead documents housed in the Oriental Institute Museum at the University of Chicago. These documents, represented in whole or in part - all Eighteenth Dynasty or later - include seven papyri, three coffins, a shroud, a statuette, three stelae or similar and fifty-five ushabties. This is the first digital reprint of the 1960 publication.

The Getty Museum’s large and exceptional collection of oriental porcelain embellished with Parisian gilt bronze or silver is comprehensively illustrated in this revised catalogue. The European practice of mounting exotic objects such as oriental porcelain dates from the Middle Ages and found its height of expression during the seventeenth and eighteenth centuries, when Chinese and Japanese porcelains reached the West in considerable quantities. To meet the growing taste for such objects in fashionable Parisian society, marchands-merciers—guild members who combined the functions of the modern interior decorator, antique dealer, and picture dealer—devised ingenious settings in silver and gilt bronze for oriental porcelains, adapting their exotic character to the French interiors of the period. With the publication of this catalogue, the beauty and rarity with which buyers of these pieces were so enamored is vividly brought to life.