This book is the preliminary part of a great work titled «THE BOOK OF THE EGYPTIAN: The beginning of the basic Egyptology or a key to the understanding of history, philosophy and world religion». Usually, the introduction is made in the form of a brief preface or foreword, but I got a whole book as the first step in a multi-volume publication of the study. The purpose of this specific introduction as the beginning of serious research – is right at the level of the opening to inspire a reader, showing him in a clear visual and comprehensible form, the whole true mechanism of the hieroglyphic writing. To achieve this, I will completely dispel the myth created by the modern science that hieroglyphs do not convey any meaning (of words, the whole idea), but only individual sounds (letters), or their combination (syllables). This scientific myth will be finally deprived of the status of scientific knowledge, and the translation of the Phaistos disc, on the contrary, will be clearly shown, what is called «broken apart», and will be read in the ancient hieroglyphic language united by the principle of construction – in the language of the ancient Egyptians. I can say that it will not be two simultaneously existing systems of hieroglyphs translation, as well as two Egyptologies, one will be false, and the other – true! To prove the validity of the system of translation I wanted to give you immediately not only a complete translation of the text of the Phaistos disc, where the number of occurrences of each hieroglyph is not big (1 to 19 times), but the translation of the whole ancient Egyptian writing, because the number of times it is used in there is thousands, if not even millions. And each such use of each hieroglyph is translating in the same way, so it creates the full reading of the hieroglyphic texts – writing, which will be easily read by everyone with the dictionary of hieroglyphs in the future. The main reason why I wanted to do it – is because, at first, I read the ancient Egyptian texts and only then, by chance, came across with the hieroglyphs of the Phaistos disc. But then, I decided to set a different aim – to teach the reader to think, and not just to read hieroglyphs. Since we have no ancient Egyptian temple, and you're not its novice, the method of achieving the aims will be different than in the antiquity. First of all, I would suggest not a translation of ancient Egyptian hieroglyphs, but a complete translation of the Phaistos disc, and at the same time to give them a sort of test of common sense to modern science in the face of particular academies and universities of the world. Let them answer me the question, not knowing the translations of ancient Egyptian texts, – whether they think this translation of the Phaistos disc is correct? So when I completely publish «The Book of Egyptian», it will become clear who they are and where do they lead all of you. As they always test the students, it's a time to test them as well. Will they pass the test, I do not know, but any way, you, my reader, will get to know about it, (in the main manuscript) and will be able to draw your own conclusions about their intellectual level. Therefore, I recommend you to take this message of the book, at least with the attention, because not every day the science gets a ready revelation, designed in the form of scientific study. And here the attention and common sense will help the reader to re-look the original, pure, uncomplicated meaning of the Hieroglyphs, which through the veil of delusion will finally begin to appear in their true, original and vibrant colors – and finally, get from the nether world – into the realm of the living!

An archaeologist explores history’s most fascinating enigmas, from the ancient Druids to the mysteries of the Mayan calendar and the lost city of Atlantis. Across thousands of years of history, so-called lost civilizations still speak to us through their artifacts and architecture. In Hidden History, archaeologist Brian Haughton fills the gap between archaeology and alternative history using the latest available data and a common sense, open-minded approach. Divided into three sections, this expertly researched volume shares the secrets of Mysterious Places, Unexplained Artifacts, and Enigmatic People. Haughton introduces readers to the greatest mysteries of the ancient world, from the labyrinthine palace of Knossos on Crete to the pyramids of Egypt, the remote jungle temples of Peru, and the megalithic mystery of Stonehenge. But he also goes further to explore historical puzzles like the Coso Artifact, the possibility of ancient flight, and the Voynich Manuscript, as well as mysterious peoples from the Magi and the Druids to the Knights Templar and the Green Children. With more than 50 photographs and illustrations, this is the ideal reference work for those interested in the archaeology of these great enigmas.

The writing of Minos. The Phaistos disk and Cretan hieroglyphs, by Ippolito Marmai an italian researcher about Minoan writings. The Phaistos disk is fundamental as it happens to be the oldest European literary expression. It sends us a message from the abysm of time at the dawn of Western culture and draws a line between a before and an after - between prehistory and history. Rediscovering this ""Ariadne's thread"" to understand the meaning of what it transmits is therefore an inescapable historico-cultural and scientific necessity. This eclectic, interdisciplinary approach has produced unexpected results thanks to the constant verification in the field of the available data. The author's twenty years of research into the Paistos Disc and on the Cretan hieroglyphic script now offers a unique and completely new interpretation of a puzzle that Minoan scholars have being working on for over a century.

The Minoan culture on Crete existed around 2100-1420 BC leaving hundreds of inscriptions on seals, sealings and other artefacts. The most well-known inscription among them can be found on the Phaistos disk, a small clay disk with impressed signs on both sides. Deciphering it is one of the greatest challenges leading to better understanding the Minoan language and culture. First and foremost, the book offers a new general methodology in epigraphy for deciphering writing systems. Mathematical and statistical methods enable one to arrive at basic principles underlying the writing system and the root language. It allows one to begin a decipherment based on scientifically verified knowledge and to exclude false assumptions. While previous works on the Phaistos disk have either had to declare the impossibility of deciphering it or have suggested dubious interpretations based on preconceived assumptions, the present study aims to present a scientifically verifiable method for a step-by-step decipherment of the Phaistos disk. Now, by the end of the decipherment about 85% of the signs on the Phaistos disk can for the most part be read with a high degree of confidence. The discovered sound values and meanings of all the signs are then checked against other hieroglyphic inscriptions from Crete. It follows from the analysis that the Phaistos disk belongs to the writing system of both the Cretan and the Luwian hieroglyphs and that the texts are written in the Luwian language. The Phaistos disk and other Cretan-Luwian hieroglyphic inscriptions can therefore be considered to belong to a uniform linguistic area which extended from Crete to Western Anatolia during the Aegean Bronze Age.