Hieroglyphic Key For the last two and a half hundred years, many Egyptologists have been searching and deciphering the Egyptian hieroglyphics and claiming that they have deciphered the hieroglyphics signs. But the truth is that not a single Egyptologist has been able to read even a single hieroglyphic sign. All their claims are false and wild guesses. This book contains the key from which you can unlock the mystery not only of Hieroglyphics but also the origin of Alpha-beta and any script of the world. You will know for the first time the true meaning of hundreds of words like Km.t, Mummy, Cairo, Ra, Eye of Horus and Ptolemy. Gardiner’s sign list (D30) phonetic is ‘nachb-kAw’ means ‘god Nehebkau’. It is neither two-headed snake nor the two arms raised in the prayer. The hieroglyph is based on Sanskrit homonyms word na–th-h नाथः which means ‘A rope passed through the nose of a draft ox or any pet. The other meanings are ‘a lord, master, protector, leader, God, husband. This hieroglyph was used mostly for ‘the lightning god’. (M22) Phonetic is ‘nichb’ means ‘sedge, reed’. Neither the hieroglyph is showing sedge or a reed. Actually, the pictograph was sketched to show the furrow in a field. The two side arms, which are declared ‘a set of leaves’ by European Egyptologists, these arm type lines are not leaves but showing the ridges like letter V between a furrows. The upper turn shows to come back for next furrow. Based on Sanskrit, the word is sh–mb-h शम्बः which means ‘Lightning: ploughing of a field and makes furrow, track or line as the lightning uses to plough the clouds. Other meanings are ‘To go, move, happy, fortunate’. Alan Gardiner declared this hieroglyph logogram U1 as a ‘sickle’ without knowing the Egyptian culture. Though, his searching of phonetic sound of first letter of the word ‘ma’ was correct. Next diphthong ng was forgotten by Copts. Alas! Egyptologists would have searched the ancient boats of Egypt. The Egyptian hieroglyph Gardiner sign listed no.U1 is a Sanskrit based Egyptian word m-ng मन्ग, which means ‘the head or front of a boat’. (E26) Transliteration ‘3b, 3bu, eb’ by European Egyptologist is not correct. Only Sanskrit has its correct word e–bh-h इभः which means ‘an elephant as well as cloud’. The other synonyms for an elephant are ‘g-j गज] h-sti हस्ती m-tn-g मतंग, ku-mbhi कुम्भी, m-d-k-l मदकल g-je-ndr गजेन्द्र ku-nj-r कुजंर dwi-p द्विप va-r-n वारण k-ri-sh करीश*. This hieroglyph of an elephant could be used for all synonyms words which mean ‘an elephant as well as cloud. ‘Opening of the mouth’ ceremony or ritual --- (F- 13) phonetic is ‘wp, jp’ means ‘horn’. But the real Sanskrit’s word is shri-nga श्रृन्गा which means ‘the horn’. (D-21) phonetic is ‘r, rr, p (kh) ar’ means ‘mouth’. But true word of Sanskrit is r-nh रन्ह which means ‘talketive, speaking. Often the first letter r of this hieroglyph has used in Egyptian texts. Egyptologists have misinterpreted the above hieroglyphic description as ‘opening of the mouth’. The Sanskrit complete word of Shri-nga श्रृन्गा of F13 and first letter r र of D21 (r-nh) is taken. Thus the complete conjunctive word is Shri-nga+r श्रृन्गार which means ‘A fragrant for dress or body, to make up, adornment of body’. This refinement by makeup of mummy (shabti) was ritual. The term Shri–nga-r (makeup) is for both the living and the dead person. Guessing to see the open horns means ‘opening of the mouth ceremony’ is wild guess. Not only this, the key given in this book is Australian aborigine and also reveals the mysteries of the language of the Kenya and the tribal of Africa. The key given in this book opens the locks of hidden secrets of every ancient religion, culture and civilization of the world, not just Peru, Inca and Maya.

With the help of Egyptologists Collier and Manley, museum-goers, tourists, and armchair travelers alike can gain a basic knowledge of the language and culture of ancient Egypt. Each chapter introduces a new aspect of hieroglyphic script and encourages acquisition of reading skills with practical exercises. 200 illustrations.

Marveling over the tomb treasures of Ramses II and Tutankhamen that have toured U.S. and European museums in recent years, visitors inevitably wonder what the mysterious hieroglyphs that cover their surfaces mean. Indeed, everyone who is fascinated by ancient Egypt sooner or later wishes for a Rosetta stone to unlock the secrets of hieroglyphic writing. Hieroglyphs without Mystery provides the needed key. Written for ordinary people with no special language skills, the book quickly demonstrates that hieroglyphic writing can be read, once a few simple principles are understood. Zauzich explains the basic rules of the writing system and the grammar and then applies them to thirteen actual inscriptions taken from objects in European and Egyptian museums. By following his explanations and learning the most commonly used glyphs, readers can begin to decode hieroglyphs themselves and increase their enjoyment of both museum objects and ancient Egyptian sites. Even for the armchair traveler, learning about hieroglyphs opens a sealed door into ancient Egyptian culture. In examining these inscriptions, readers will gain a better understanding of Egyptian art, politics, and religion, as well as language.

Dogon cosmology provides a new Rosetta stone for reinterpreting Egyptian hieroglyphs • Provides a new understanding of Egyptian hieroglyphs as scientific symbols based on Dogon cosmological drawings • Use parallels between Dogon and Egyptian word meanings to identify relationships between Dogon myths and modern science In The Science of the Dogon, Laird Scranton demonstrated that the cosmological structure described in the myths and drawings of the Dogon runs parallel to modern science--atomic theory, quantum theory, and string theory--their drawings often taking the same form as accurate scientific diagrams that relate to the formation of matter. Scranton also pointed to the close resemblance between the keywords and component elements of Dogon cosmology and those of ancient Egypt, and the implication that ancient cosmology may also be about actual science. Sacred Symbols of the Dogon uses these parallels as the starting point for a new interpretation of the Egyptian hieroglyphic language. By substituting Dogon cosmological drawings for equivalent glyph-shapes in Egyptian words, a new way of reading and interpreting the Egyptian hieroglyphs emerges. Scranton shows how each hieroglyph constitutes an entire concept, and that their meanings are scientific in nature. Using the Dogon symbols as a “Rosetta stone,” he reveals references within the ancient Egyptian language that define the full range of scientific components of matter: from massless waves to the completed atom, even suggesting direct correlations to a fully realized unified field theory.

The Keys of Egypt reveals the story of the scramble to decipher hieroglyphics, and the rediscovery of the Nile Valley after it had been closed to Europeans for nearly 2000 years.

How the discovery of the Rosetta Stone led to new ways of thinking about language: “A brilliant new interpretation of major 19th-century American writers.” —J. Hillis Miller The discovery of the Rosetta Stone and the subsequent decipherment of Egyptian hieroglyphics captured the imaginations of nineteenth-century American writers and provided a focal point for their speculations on the relationships between sign, symbol, language, and meaning. Through fresh readings of classic works by Emerson, Thoreau, Whitman, Poe, Hawthorne, and Melville, John T. Irwin’s American Hieroglyphics examines the symbolic mode associated with the pictographs. Irwin demonstrates how American Symbolist literature of the period was motivated by what he calls “hieroglyphic doubling,” the use of pictographic expression as a medium of both expression and interpretation. Along the way, he touches upon a wide range of topics that fascinated people of the day, including the journey to the source of the Nile and ideas about the origin of language.

The fascinating true tale of Jean Frantois Champollion chronicles the French linguist's successful efforts to decipher the Egyptian hieroglyphics with the help of the Rosetta Stone over the course of nearly two decades. Reprint. 15,000 first printing.