"Play fool, to catch wise."--proverb of Jamaican slaves Confrontations between the powerless and powerful are laden with deception--the powerless feign deference and the powerful subtly assert their mastery. Peasants, serfs, untouchables, slaves, laborers, and prisoners are not free to speak their minds in the presence of power. These subordinate groups instead create a secret discourse that represents a critique of power spoken behind the backs of the dominant. At the same time, the powerful also develop a private dialogue about practices and goals of their rule that cannot be openly avowed. In this book, renowned social scientist James C. Scott offers a penetrating discussion both of the public roles played by the powerful and powerless and the mocking, vengeful tone they display off stage--what he terms their public and hidden transcripts. Using examples from the literature, history, and politics of cultures around the world, Scott examines the many guises this interaction has taken throughout history and the tensions and contradictions it reflects. Scott describes the ideological resistance of subordinate groups--their gossip, folktales, songs, jokes, and theater--their use of anonymity and ambiguity. He also analyzes how ruling elites attempt to convey an impression of hegemony through such devices as parades, state ceremony, and rituals of subordination and apology. Finally, he identifies--with quotations that range from the recollections of American slaves to those of Russian citizens during the beginnings of Gorbachev's glasnost campaign--the political electricity generated among oppressed groups when, for the first time, the hidden transcript is spoken directly and publicly in the face of power. His landmark work will revise our understanding of subordination, resistance, hegemony, folk culture, and the ideas behind revolt.

The essays in this volume develop the highly suggestive insights and theory of James C. Scott-especially those related to patterns of domination and subordination, the role of religion in supporting or opposing the powerful, and the "arts of resistance" by the subordinated-to tackle key issues in the interpretation of Jesus and Paul. All the contributors implicitly or explicitly assume a stance sympathetic with subordinated peoples of the past and present. While all pursue primarily critical literary, historical, and social analysis on New Testament texts in historical contexts, some also examine illuminating historical or contemporary comparative materials. In addition, some even find Scott useful in critical self-examination of scholarly motives, stances, and approaches in relation to texts and their uses. The contributors are Allen Dwight Callahan, Warren Carter, Neil Elliott, Susan M. Elliott, Erik Heen, William R. Herzog II, Richard A. Horsley, Cynthia Briggs Kittredge, and Gerald West. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).

“One of the most profound and illuminating studies of this century to have been published in recent decades.”—John Gray, New York Times Book Review Hailed as “a magisterial critique of top-down social planning” by the New York Times, this essential work analyzes disasters from Russia to Tanzania to uncover why states so often fail—sometimes catastrophically—in grand efforts to engineer their society or their environment, and uncovers the conditions common to all such planning disasters. “Beautifully written, this book calls into sharp relief the nature of the world we now inhabit.”—New Yorker “A tour de force.”— Charles Tilly, Columbia University

This collection of essays pursues two new approaches to Q, the speeches of Jesus paralleled in the Gospels of Matthew and Luke. The essays in Part One suggest that recent work in ethnopoetics, the ethnography of performance, and theory of verbal art (especially that of John Miles Foley) both complements and challenges standard approaches to the teaching of Jesus. They explore how Q speeches might be appreciated as oral performance that resonates with listeners in a community context by referencing Israelite popular tradition. The essays in Part Two examine how the work of anthropologist and political scientist James C. Scott on popular tradition, "the moral economy of the peasant," and "hidden transcripts" may illuminate the social context and political implications of Q speeches. --From publisher's description.

The essays in this volume develop the highly suggestive insights and theory of James C. Scott--especially those related to patterns of domination and subordination, the role of religion in supporting or opposing the powerful, and the "arts of resistance" by the subordinated--to tackle key issues in the interpretation of Jesus and Paul. All the contributors implicitly or explicitly assume a stance sympathetic with subordinatd peoples of the past and present. While all pursue primarily critical literary, historical and social analysis on New Testament texts in historical contexts, some also examine historical or contemporary comparative materials. In addition, some even find Scott useful in critical self-examination of our own scholarly motives, stances, and approaches in relation to texts and their uses. --From publisher's description.

Personal tragedy and communal catastrophe up to the present day are universal human experiences that call forth lament. Lament singers--from the most ancient civilizations to traditional oral poets to the biblical psalmists and poets of Lamentations to popular singers across the globe--have always raised the cry of human suffering, giving voice to the voiceless, illuminating injustice, or pleading for divine help. This volume gathers an international collection of essays on biblical lament and Lamentations, illuminating their genres, artistry, purposes, and significant place in the history and theologies of ancient Israel. It also explores lament across cultures, both those influenced by biblical traditions and those not, as the practices of composition, performance, and interpretation of life's suffering continue to shed light on our knowledge of biblical lament. --From publisher's description.

The essays in this volume develop the highly suggestive insights and theory of James C. Scott--especially those related to patterns of domination and subordination, the role of religion in supporting or opposing the powerful, and the ''arts of resistance'' by the subordinated--to tackle key issues in the interpretation of Jesus and Paul.