He ‘died’ to save the woman he loved.

A mistress is for pleasure, not for marriage... Tycoon Markos Makarios thinks he has the perfect woman in Vanessa: she's beautiful, adoring, living only to please him. In fact, she's the best mistress he's ever had. Until he has to warn her not to think of marriage; a mistress is only for pleasure, after all. But Vanessa had believed she was his partner--not merely a plaything. Now Markos is about to learn the true price of the woman he's obsessed with...and to discover there's something even his billions can't buy!

"Emilio Andreoni's goal is perfection. A corporate king and Italy's most eligible bachelor, he craves only one more thing to complete his phenomenally successful life-the perfect woman! Once he thought that woman was shy Gisele Carter, until her scandalous goings-on became headline news and he called off their seemingly perfect engagement. But now Emilio is faced with proof of Gisele's innocence. He's determined to win back the only woman who ever truly satisfied him, but first he must persuade Gisele she's worthy of wearing his diamonds again."--P. [4] of cover.

While the world often categorizes women in reductive false binaries—careerist versus mother, feminine versus fierce—romance novels, a unique form of the love story, offer an imaginative space of mingled alternatives for a heroine on her journey to selfhood. In Creating Identity, Jayashree Kamblé examines the romance genre, with its sensile flexibility in retaining what audiences find desirable and discarding what is not, by asking an important question: "Who is the romance heroine, and what does she want?" To find the answer, Kamblé explores how heroines in ten novels reject societal labels and instead remake themselves on their own terms with their own agency. Using a truly intersectional approach, Kamblé combines gender and sexuality, Marxism, critical race theory, and literary criticism to survey various aspects of heroines' identities, such as sexuality, gender, work, citizenship, and race. Ideal for readers interested in gender studies and literary criticism, Creating Identity highlights a genre in which heroines do not accept that independence and strong, loving relationships are mutually exclusive but instead demand both, echoing the call from the very readers who have made this genre so popular.

Content with her independent life as a teacher, free from the bonds of matrimony, Beth Armitage suddenly finds herself trapped in a betrothal to the rakish Lucien de Vaux, Marquess of Arden, who must marry to secure his inheritance.

Dull John Philip. That’s Sophie’s boss. He may be a genius, but he still needs secretary Sophie to take care of almost everything for him. When he was given custody of his nieces after his brother’s death, he asked her to marry him so she could help him provide their care. A bewildered Sophie accepts, partly because he’s the only male she believes she can count on. Now that Sophie is taking care of the kids and living in his luxurious mansion, though, she’s detected a persistent fluttering in her heart!