The only novel by the twentieth century's most acclaimed surrealist painter, a richly visual depiction of a group of eccentric aristocrats in the years preceding World War II “The book is so full of visual invention, so witty, so charged with an almost Dickensian energy that it's difficult not to accept its author's own arrogant evaluation of himself as a genius.” — Observer In swirling, surreal prose, the iconic artist Salvador Dalí portrays the intrigues and love affairs of a group of eccentric aristocrats who, in their luxury and extravagance, symbolize decadent Europe in the 1930s. In the shadow of encroaching war, their tangled lives provide a thrilling vehicle for Dalí's uniquely spirited imagination and artistic vision. Hidden Faces beckons readers to enter the bizarre world already familiar to us from Dali's paintings. The story unfolds in vividly visual terms, beginning in the Paris riots of February 1934. The journey leading to the closing days of the Second World War constitutes a brilliant and dramatic vehicle for Dali's unique vision. “Start the first page and you are in the presence of an old-fashioned baroque novel, intelligent, extravagant, as photographically precise as his paintings but not so silly ... Dali notices everything ...” — Guardian

It was supposed to be the happiest day of my life, my eighteenth birthday should be the day I'm finally living the way I want to and don't have to bother with problems. Just one day of celebration with my friends. Until that day turned into the darkest nightmare I've ever had, surrounding me like a shadow, shattering into me like a big mountain. My father died. Yes, he died on my birthday. After speaking to the police chief, I find out that he not only died, but also commited suicide. The happiest man in the world commited suicide? Never. I don't know what kind of things are going on,but I will find out who killed my father and reveal all those secrets and hidden faces.

Dealing with narratives of vulnerable populations, this book looks at how they deal with dimensions of their social life, especially in regards to health. It reflects the socio-political ecologies like public hostility and stereotyping, neglect of their unique health needs, their courage to overcome adversity, and the love of family and healthcare providers in mitigating their problems. American society likes to give the impression that it is listening to the plight of vulnerable populations, but the stories in this volume prove otherwise.

The noises, faint, fleeting, whispered into her consciousness like wraiths passing in the night. Twelve-year-old Erin Willit opened her eyes to darkness lit only by the dim green nightlight near her closet door and the faint glow of a street lamp through her front window. She felt her forehead wrinkle, the fingers of one hand curl as she tried to discern what had awakened her. Something was not right . . . Annie Kingston moves to Grove Landing for safety and quiet—and comes face to face with evil. When neighbor Lisa Willet is killed by an intruder in her home, Sheriff’s detectives are left with little evidence. Lisa’s daughter, Erin, saw the killer, but she’s too traumatized to give a description. The detectives grow desperate. Because of her background in art, Annie is asked to question Erin and draw a composite. But Annie knows little about forensic art or the sensitive interview process. A nonbeliever, she finds herself begging God for help. What if her lack of experience leads Erin astray? The detectives could end up searching for a face that doesn’t exist. Leaving the real killer free to stalk the neighborhood . . .

As I drew, the house felt eerie in its silence. . . . A strange sense stole over me, as though Bland and I were two actors on stage, our movements spotlighted, black emptiness between us. But that darkness grew smaller as the space between us shrank. I did not know if this sense was due to my immersion in Bland’s face and mind and world, or to my fear of his threatening presence. Or both . . . The nerves between my shoulder blades began to tingle. Help me, God. Please. For twenty years, a killer has eluded capture for a brutal double murder. Now, forensic artist Annie Kingston has agreed to draw the updated face of Bill Bland for the popular television show American Fugitive. To do so, Annie must immerse herself in Bland’s traits and personality. A single habitual expression could alter the way his face has aged. But as she descends into his criminal mind and world, someone is determined to stop her. At any cost. Annie’s one hope is to complete the drawing and pray it leads authorities to Bland—before Bland can get to her. Brandilyn Collins is the bestselling author of Brink of Death, Eyes of Elisha, and other novels. She and her family divide their time between the California Bay Area and Coeur d’Alene, Idaho. Visit her website at www.brandilyncollins.com.

First critical exploration of the history and endurance of masks in horror cinema Written by an established , award-winning author with a strong reputation for research in both academia and horror fans Interdisciplinary study that incorporates not only horror studies and cinema studies, but also utilises performance studies, anthropology, Gothic studies, literary studies and folklore studies.