Alison Owings travelled the USA from border to border and coast to coast, to hear firsthand what waitresses think about their lives, their work and their world.

Author Jeanne Webb served as a flight attendant for one of the largest airlines in the United States for over three decades, from the 1950s through the 1980s. During that time, she encountered all kinds of personalities in her work, both on and off the airplane. In Hey, Lady! Hey, Waitress! Hey, Miss!, she shares some of her most memorable stories from that time period. The life of a flight attendant was unique during Webbs career, and she recorded many of her stories in diaries and journals. Now she recalls strange conversations and events, as well as humorous, rewarding, and sometimes aggravating interactions with a wide range of passengers. Featuring celebrity encounters, bizarre requests, medical emergencies, and poignant recollections, these stories illustrate the unusual situations faced by flight attendants on a daily basis. In this personal narrative, one woman paints an intriguing picture of the exciting and occasionally crazy experiences of flight attendants in the latter half of the twentieth century.

Philip Glass... is a parodic musical vignette in trademark Glassian style, with the celebrated composer having a moment of existential crisis in a bakery.

Grounded in the work of Roland Barthes, Bruno Latour, Pierre Bourdieu, and Michel Foucault, this exciting book uses food as a lens to examine agency and the political, economic, social, and cultural power which underlies every choice of food and every act of eating. The book is divided into three parts - National Characters; Anthropological Situations; Health – with each of the eight chapters exploring the power of food as well as the power relationships reflected and refracted through food. Featuring contributions from historians, sociologists, anthropologists, and cultural studies scholars from around the world, the book offers case studies of a diverse range -from German cuisine and ethnicity in San Francisco after the Gold Rush, through Italian cuisine in Japan, to 'ultragreasy bureks' and teenage fast food consumption in Slovenia. By directly engaging with questions of agency and power, the book pushes the field of food studies in new directions. An important read for students and researchers in food studies, food history, anthropology of food, and sociology of food.

Groundbreaking. Tales from the Bloody Stump is an anthology of speculative fiction, all enclosed in a husk of humor--humor that is neither snide nor sarcastic. The book includes 15 stories of widely varying lengths, 5 poems, a book of fables (a book within a book), and a novelette. What a bargain! The collection can be described as surreal, with oddball characters and bizarre behavior. It is a mixture of fantasy, science fiction, abstract worlds, and improbable events and story lines. Each story or poem is unique and unlike any of the others. They are unpredictable, compelling, and easy to read. Oddly accessible oddness. The author, Graham Glass, provides an anthology (a book) that you can grab hold of and dive into. Select any story or poem and you will be transported into a space filled with imagination and humor that only a skilled author can provide. Any offering in Tales from the Bloody Stump can be read multiple times; each time something new may be waiting to be discovered. However, none of it should be taken too seriously. But be aware, once you read it you can't un-read it.

The Manly Art is another collection of writer Keith G. Laufenberg's short stories, only this time with the defining factor being that they all involve the sport of boxing. Having been in the sport himself, beginning at age 17, when he entered Marine Corps boot camp, and ending after seven years, fought as a professional, he is afforded a closer more intimate look into the boxers lives. In "Sonny Liston's Eyes," the reader is taken into the Underworld of the sport when a writer interviews an ex-mobster-who is dying of lung cancer-and claims to have killed Sonny Liston, as well as JFK and Martin Luthur King Jr. He tells an incredible story but backs it up by saying he has absolutely verifiable evidence that he will produce for the writer. In "Frankenstein" we see why a young amateur boxer should have picked boxing over football. He has little say in the matter though as his father and uncle have trained him his entire life for football and it, along with the other stories, will keep you glued to the page.

"Pretty Theft was produced by Flux Theatre Ensemble at the Access Theatre in New York City, opening on April 24, 2009."--P. [4].