Transculturalism and Business in the BRIC States, edited by Yvette Sánchez and Claudia Franziska Brühwiler, is the first handbook on the BRIC States that offers a transcultural perspective, which goes beyond the typical ’how to’ manuals or economic projections and provides an understanding of transculturalism as it is studied and practiced in the respective countries themselves. This unique reference book also offers insights into the relations between the corresponding states and the challenges facing those trying to foster more intense business exchanges. The reader learns to interpret cross-cultural issues from the perspectives of the BRIC states themselves and gains insight into the way scholars in the BRIC area reflect on transculturalism. Moreover, it introduces the reader to fresh visualizations that help consider transculturalism beyond the known categories. The book will appeal, on the one hand, to practitioners who are active in the BRIC states and wish to better grasp the challenges to business relations, as well as the intra-area dynamics and, on the other hand, to scholars in transcultural studies and international management, due to its insider approach. Since the book combines theoretical concepts with a clear geographic focus and a critical approach to traditional models, it is suitable for both academic audiences as well as for practitioners who appreciate a sound theoretical base and a fresh take on a subject.

What image of Latin America have North American fiction writers created, found, or echoed, and how has the prevailing discourse about the region shaped their work? How have their writings contributed to the discursive construction of our southern neighbors, and how has the literature undermined this construction and added layers of complexity that subvert any approach based on stereotypes? Combining American Studies, Canadian Studies, Latin American Studies, and Cultural Theory, Breinig relies on long scholarly experience to answer these and other questions. Hemispheric Imaginations, an ambitious interdisciplinary study of literary representations of Latin America as encounters with the other, is among the most extensive such studies to date. It will appeal to a broad range of scholars of American Studies.

In this English translation and revision of her acclaimed German-language book, Elke Sturm-Trigonakis expands on Goethe's notion of Weltliteratur (1827) to propose that, owing to globalization, literature is undergoing a profound change in process, content, and linguistic practice. Rather than producing texts for a primarily national readership, modern writers can collate diverse cultural, literary, and linguistic traditions to create new modes of expression that she designates as "hybrid texts." The author introduces an innovative framework to analyse these new forms of expression that is based on comparative cultural studies and its methodology of contextual (systemic and empirical) approaches to the study of literature and culture, including the concepts of the macro-and micro-systems of culture and literature. To illustrate her proposition, Sturm-Trigonakis discusses selected literary texts that exhibit characteristics of linguistic and cultural hybridity, the concept of "in-between," and transculturality and thus are located in a space of a "new world literature." Examples include Gastarbeiterliteratur ("migrant literature") by authors such as Chiellino, Shami, and Atabay. The book is important reading for philologists, linguists, sociologists, and other scholars interested in the cultural and linguistic impact of globalization on literature and culture. The German edition of this volume was originally published as Global playing in der Literatur. Ein Versuch über die Neue Weltliteratur (2007) and it has been translated in collaboration with the author by Athanasia Margoni and Maria Kaisar.

The most common explanations view either the socialist past or larger scale processes of modernization to be the cause of eastern German secularization. The volume attempts to discover historically variable reconfigurations of religion and the secular at the local level.

Heterotopia is als filosofisch concept bedacht door de Franse filosoof Michel Foucault. Een heterotopie is een begrensde ruimte die wordt bepaald door het gebruik ervan. Een theater is bijvoorbeeld pas een theater als er voorstellingen worden gegeven. Heterotopieën kunnen ook (in de tijd) van functie wisselen. Oorspronkelijk bedoelde Foucault de ruimtes die buiten het economisch en politiek handelen liggen. Dit is echter binnen de kapitalistische samenleving een onmogelijkheid. Other Spaces is een verzameling van filosofische essays als reactie op Foucault.

Philosophical exploration of Jamaica Kincaid’s entire literary oeuvre.