Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.

This is the definitive biography of Robert E. Howard, a giant of the pulp era, who created the archetypal brooding fantasy figure. To the general public, he is virtually unknown, but millions are familiar with the name and exploits of his most famous creation: Conan, the barbarian.

Reprint of the original, first published in 1875.

Which have to do with many personalities and events in and about Avonlea, the Home of the Heroine of Green Gables, including tales of Aunt Cynthia, The Materializing of Cecil, David Spencer's Daughter, Jane's Baby, The Failure of Robert Monroe, The Return of Hester, The Little Brown Book of Miss Emily, Sara's Way, The Son of Thyra Carewe, The Education of Betty, The Selflessness of Eunice Carr, The Dream-Child, The Conscience Case of David Bell, Only a Common Fellow, and finally the story of Tannis of the Flats