More than any of their contemporaries, Swiss architects Jacques Herzog and Pierre de Meuron are challenging the boundaries between architecture and art. Natural History explores that challenge, examining how the work of this formidable pair has drawn upon the art of both past and present, and brought architecture into dialogue with the art of our time. Echoing an encyclopedia, this publication reflects the natural history museum structure of the exhibition which it accompanies, organized by the Canadian Centre for Architecture. Models and projects by Herzog & de Meuron, as well as by other artists, are structured around six thematic portfolios that suggest an evolutionary history of the architects' work: Appropriation & Reconstruction, Transformation & Alienation, Stacking & Compression, Imprints & Moulds, Interlocking Spaces, and Beauty & Atmosphere. Each section is introduced with a statement from Herzog, and more than 20 artists, scholars, and architects have contributed essays, including Carrie Asman, Georges Didi-Huberman, Kurt W. Forster, Boris Groys, Ulrike Meyer Stump, Peggy Phelan, Thomas Ruff, Rebecca Schneider, Adolf Max Vogt, and Jeff Wall.

This book is a compilation of lectures given to students at the Harvard Graduate School of Design on the work of contemporary architects.

Images of Swiss architect Valerio Olgiati's secluded residence in Portugal's rural Alentejo region, which centers around a walled garden and courtyard.

Published on the occasion of the exhibition Herzog & de Meuron held in summer, 1994 at Peter Blum and the Swiss Institute in New York.

This title documents the shift from the building as structure to the building as image. This exploration of the use and significance of two-dimensional images in contemporary architecture looks at the works of major designers, including Zaha Hadid, Herzog and de Meuron, Rem Koolhass, and MVRDV, among others.

The sculptures of Conrad Shawcross RA explore subjects that lie on the borders of geometry and philosophy, physics and metaphysics. For the 2015 Summer Exhibition's Annenberg Courtyard installation, Shawcross created a large-scale, immersive work consisting of five cloud-like forms in steel. Made from thousands of tetrahedrons, these forms stand at over six metres high and weigh five tonnes each. Shawcross explains: "The Greeks considered the tetrahedron to represent the very essence of matter. In this huge work I have taken this form as my 'brick', growing these chaotic, diverging forms that will float above the heads of visitors." As well as photography of the works in situ, this publication contains working drawings, structural diagrams and a text by the architecture writer Patrick Sykes. AUTHOR: Patrick Sykes is an architecture writer and radio producer whose work is featured or forthcoming in The Times, Mas Context, Warscapes, Polis and on BBC Radio 4. SELLING POINTS: * Includes structural diagrams showing the construction of this dramatic work * Features an exclusive interview with the artist himself * Conrad Shawcross is the youngest living Royal Academician 80 colour