Nine years ago, Celine Hernandez broke my heart. Eight years ago, she stomped on it for good measure. When Celine moved to LA after high school, I enlisted in the Marines. After an honorable discharge, I’m home, in Tennessee, living out my dream as a professional hockey player. Now, she’s back in our hometown, filming a movie, and reminding me of a past I’ve tried to forget. She’s got her name up in lights. She’s shining so bright; she’s acting like she never left. Celine’s everywhere I go — visiting my Gran, having coffee dates with my sister — and forcing me to remember a time when life wasn’t so harsh. When I was whole and thriving. Happy. But I can’t trust those feelings anymore. I’m not the same man Celine remembers. I’ve lost too much, grieved too hard, and am too broken down for do-overs. Is my ex-everything a risk my heart can handle? Or is our second chance more sacrifice than salvation?

"This reassessment of French classical ideas about tragedy will be valuable to students and scholars of French literature, drama, and cultural history."--BOOK JACKET.

UNLOCK YOUR GAME'S NARRATIVE POTENTIAL! With increasingly sophisticated video games being consumed by an enthusiastic and expanding audience, the pressure is on game developers like never before to deliver exciting stories and engaging characters. With Video Game Storytelling, game writer and producer Evan Skolnick provides a comprehensive yet easy-to-follow guide to storytelling basics and how they can be applied at every stage of the development process—by all members of the team. This clear, concise reference pairs relevant examples from top games and other media with a breakdown of the key roles in game development, showing how a team’s shared understanding and application of core storytelling principles can deepen the player experience. Understanding story and why it matters is no longer just for writers or narrative designers. From team leadership to game design and beyond, Skolnick reveals how each member of the development team can do his or her part to help produce gripping, truly memorable narratives that will enhance gameplay and bring today’s savvy gamers back time and time again.

Famous for leading the Tokyo Raid, America's first strike against Japan in World War II, Jimmy Doolittle led a remarkable life as an American pilot. This firsthand account by his granddaughter reveals an extraordinary individual—a scientist with a doctorate in aeronautical engineering from MIT, an aviation pioneer who was the first to fly across the United States in less than 24 hours and the first to fly “blind” (using only his plane’s instruments), a barnstormer well known for aerobatics, a popular racing pilot who won every major air race at least once, recipient of both the Congressional Medal of Honor and Presidential Medal of Freedom, a four-star general, and commander of both the 8th, 12th and 15th Air Forces. This memoir provides insights into the public and private world of Jimmy Doolittle and his family and sheds light on the drives and motivation of one of America's most influential and ambitious aviators.

This is the entire series put into one book. Paperback edition.They took too much.Left too little.I had nothing to lose...until him.*****************~Lana~I didn't expect him.I didn't want to fall in love.But I can't let him go.Logan Bennett makes the world a safer place.He's brilliant.He's a hero.He locks away the sick and depraved.But while he's saving lives, I'm taking them. Collecting the debts that are owed to me.Ten years ago, they took from me. They left me for dead.They should have made sure I stayed dead.Now I'm taking from them.One name at a time.I've trained for too long.I've been patient.I can't stop now.Revenge is best served cold...They never see me coming, until I paint their walls red.Logan doesn't know how they hurt me. He doesn't know about the screams they ignored. He doesn't know how twisted that town really is.He just knows people are dying.He doesn't know he's in love with their killer.No one suspects a dead girl.And Logan doesn't suspect the girl in his bed.They're looking for a monster.Not a girl who loves red.Not a girl in love.I'm a faceless nightmare.At least until I tell them the story they've pretended never happened.But in the end, will Logan choose them? Or will we watch them burn together?**Graphic**Adult language**Some triggers could be too much for the easily disturbed reader**Sexual content**Fucked up moral compass; read at your own risk.

Literature's dependence on a few folktale plots is a cliche, and the significance of structuralist theory cannot have escaped many scholars, so Rosenberg's insistence on the interrelation of folklore and literature is nothing new. He surveys the foundational work of Aarne, Thompson, and Propp and the oral-formulaic theories of Parry and Lord, but the references are too elliptical to be clear to nonspecialists, while explanations of methodology will be redundant to folklorists. Bits of good material, of interest to medievalists and other literary scholars (especially on Beo wulf and on Chaucerian narrative), are buried in this disjointed collection of chapters. Serious editorial lapses include the complete absence of footnotes, forcing inappropriate supplementary matter into the body of the text and further blurring its weak structure. The parity of literary and narrative-folklore studies is the author's underlying theme, but his preoccupation with status in the academic hierarchy does nothing to make his arguments on the symbiosis of the two disciplines more convincing. - Patricia Dooley, Univ. of Washington Lib. Sch., Seattle Copyright 1991 Reed Business Information, Inc.

The 2012 film The Hunger Games and its three sequels, appearing quickly over the following three years, represent one of the most successful examples of the contemporary popularity of youth-oriented speculative film and television series. This book considers "The Hunger Games" as an intertextual field centred on this blockbuster film franchise but also encompassing the successful novels that preceded them and the merchandised imagery and the critical and fan discourse that surrounds them. It explores the place of The Hunger Games in the history of youth-oriented cinema; in the history of speculative fiction centred on adolescents; in a network of continually evolving and tightly connected popular genres; and in the popular history of changing ideas about girlhood from which a successful action hero like Katniss Everdeen could emerge.