Authors from the ancient world rarely used great detail to describe the physical features of characters in their works. When they did mention bodies, they did so with very specific goals in mind. In particular, the bodies of "heroic" figures, such as warriors, kings, and other leaders became loaded sites of meaning for encoding cultural, religious, and political values on a number of fronts. Brian Doak analyzes the way biblical authors described the bodies of some of their most iconic male figures, such as Jacob, the Judges, Saul, and David. These bodies represent not mere individuals-they communicate as national bodies, signaling the ambiguity of Israel's murky pre-history, the division during the period of settlement in the land, and the contest of leading bodies fought between Saul and David. Heroic Bodies in Ancient Israel examines the heroic world of ancient Israel within the Hebrew Bible, and shows that ancient Israelite literature operated within and against a world of heroic ideals in its ancient context. The heroic body tells a story of Israel's remembered history in the eventual making of the monarchy, marking a new kind of individual power. Not merely a textual study of the Hebrew Bible in isolation, this book also considers iconography and compares Israelite literature with other ancient Mediterranean and Near Eastern materials, illustrating Israel's place among a wider construction of heroic bodies.

The biblical stories of Lot’s daughters, Tamar, Ruth and Bathsheba, share much in common – singular women who are left to rely upon their own wits to achieve some measure of victory over the men around them. Scholarly interpretation of these women often reduces them to mere stock characters who inform civic notions about Israel, the perennial underdog who, like these women, achieves against great odds. Or, they reflect the trickery and moral ambiguity inherent in their line as ancestresses of the House of David. However, when read for their gender information (and not for what they can tell readers about Israel), one finds women who employ strategies of deception and trickery, motivated by individual self-interest, in order to successfully maneuver within the system to their benefit. Such initiative can be seen as valorous: they save themselves through their own pluck and ingenuity. Thus, a close consideration of these stories finds that heroic biblical women carry their essential weapons upon and within themselves in their drive, their resolve and their cleverness. Using methods from biblical study as well as folklore, this study identifies biblical women motivated by self-interest coupled with deception and an incidence of the “bedtrick,” an instance of sexual trickery that challenges the text’s power and gender dynamics. This identification puts Lot’s daughters, Tamar, Ruth and Bathsheba, in league with female heroes from folk tale and legend. By contrasting and comparing common motifs and actions with traits established by other non-biblical female heroic narratives, strong heroic themes are located in all four narratives. This offers a dynamic argument for identifying the female biblical heroic. This work concludes that this new identification of heroic women in the Bible profoundly affects further interpretation of the Bible.

Ancient Israel's Neighbors explores both the biblical portrayal of the neighboring groups directly surrounding Israel-the Canaanites, Philistines, Phoenicians, Edomites, Moabites, Ammonites, and Arameans-and examines what we can know about these groups through their own literature, archaeology, and other sources. This book will invite readers into journey of scholarly discovery to explore the world of Israel's identity within its most immediate ancient NearEastern context.

Doak explores how the giants of the Hebrew Bible--which represent a connection to primeval chaos--offer insight into central aspects of Israel's symbolic universe. By placing biblical traditions within a broader Mediterranean context regarding giants and the end of the heroic age, Doak sheds new light on monotheism and monarchy in ancient Israel.

This book rethinks the problem of Israelite kingship by examining how the male royal body and its self-presentation figured in the governance of the dual monarchies of Israel and Judah. As such, this is a reopening of old questions and an opening to new ones.

This work is a comprehensive treatment of the music of Biblical and early Talmudic times. It is thoroughly documented, setting forth the origins, forms and ethos of Hebrew music. It draws upon the most recent archaeological discoveries and contemporary Biblical research, dealing not only with sacred music, but also the broad field of ancient secular music which up to now has been only dimly comprehended. Of special interest to the Christian world in this period of ecumenical discussion is the clarity with which Dr. Sendrey interprets the common musical legacy shared between Judaism and Christianity. // Dr. Sendrey is Professor of Musicology at the University of Judaism in Los Angeles and is widely known in the world of musicology for his important Bibliography of Jewish Music, published by Columbia University Press (1951). This work is today the primary source book for Jewish music research and is used throughout the world. // Alfred Sendrey was a Hungarian-American conductor and composer. A pupil of Koessler at the Budapest Academy (1901-5), he worked in Germany, the USA and Austria as an opera conductor, (also of the Leipzig SO, 1924-32), then moved to Paris (1933-40) and finally to the USA, where he completed his studies of Jewish music.

The authoritative new account of the BibleÕs origins, illuminating the 1,600-year tradition that shaped the Christian and Jewish holy books as millions know them today. The Bible as we know it today is best understood as a process, one that begins in the tenth century BCE. In this revelatory account, a world-renowned scholar of Hebrew scripture joins a foremost authority on the New Testament to write a new biography of the Book of Books, reconstructing Jewish and Christian scriptural histories, as well as the underappreciated contest between them, from which the Bible arose. Recent scholarship has overturned popular assumptions about IsraelÕs past, suggesting, for instance, that the five books of the Torah were written not by Moses but during the reign of Josiah centuries later. The sources of the Gospels are also under scrutiny. Konrad Schmid and Jens Schršter reveal the long, transformative journeys of these and other texts en route to inclusion in the holy books. The New Testament, the authors show, did not develop in the wake of an Old Testament set in stone. Rather the two evolved in parallel, in conversation with each other, ensuring a continuing mutual influence of Jewish and Christian traditions. Indeed, Schmid and Schršter argue that Judaism may not have survived had it not been reshaped in competition with early Christianity. A remarkable synthesis of the latest Old and New Testament scholarship, The Making of the Bible is the most comprehensive history yet told of the worldÕs best-known literature, revealing its buried lessons and secrets.