King Henry III of France has not suffered well at the hands of posterity. Generally depicted as at best a self-indulgent, ineffectual ruler, and at worst a debauched tyrant responsible for a series of catastrophic political blunders, his reputation has long been a poor one. Yet recent scholarship has begun to question the validity of this judgment and look for a more rounded assessment of the man and his reign. For, as this new biography of Henry demonstrates, there is far more to this fascinating monarch than the pantomime villain depicted by previous generations of historians and novelists. Based upon a rich and diverse range of primary sources, this book traces Henry’s life from his birth in 1551, the sixth child of Henri II and Catherine de’ Medici. It following his upbringing as the Wars of Religion began to tear France apart, his election as king of Poland in 1573, and his assumption of the French crown a year later following the death of his brother Charles IX. The first English-language biography of Henry for over 150 years, this study thoroughly and dispassionately reassesses his life in light of recent scholarship and in the context of broader European diplomatic, political and religious history. In so doing the book not only provides a more nuanced portrait of the monarch himself, but also helps us better understand the history of France during this traumatic time.

King Henry III of France has not suffered well at the hands of posterity. Generally depicted as at best a self-indulgent, ineffectual ruler, and at worst a debauched tyrant responsible for a series of catastrophic political blunders, his reputation has long been a poor one. Yet recent scholarship has begun to question the validity of this judgment and look for a more rounded assessment of the man and his reign. For, as this new biography of Henry demonstrates, there is far more to this fascinating monarch than the pantomime villain depicted by previous generations of historians and novelists. Based upon a rich and diverse range of primary sources, this book traces Henry’s life from his birth in 1551, the sixth child of Henri II and Catherine de’ Medici. It following his upbringing as the Wars of Religion began to tear France apart, his election as king of Poland in 1573, and his assumption of the French crown a year later following the death of his brother Charles IX. The first English-language biography of Henry for over 150 years, this study thoroughly and dispassionately reassesses his life in light of recent scholarship and in the context of broader European diplomatic, political and religious history. In so doing the book not only provides a more nuanced portrait of the monarch himself, but also helps us better understand the history of France during this traumatic time.

"Brilliant, beautifully organized, exceedingly readable."—Philip Roth World-renowned Shakespeare scholar Stephen Greenblatt explores the playwright’s insight into bad (and often mad) rulers. Examining the psyche—and psychoses—of the likes of Richard III, Macbeth, Lear, and Coriolanus, Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the disasters visited upon the societies over which these characters rule. Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge them.

GREEK DRAMA and the Invention of Rhetoric “An impressively erudite, elegantly crafted argument for reversing what ‘everybody knows’ about the relation of two literary genres that played before mass audiences in the Athenian city state.” Victor Bers, Yale University “Sansone’s book is first-rate and should be read by any scholar interested in the origins of Greek rhetorical theory or, for that matter, interested in Greek tragedy. That Greek tragedy contains elements properly described as rhetorical is familiar, but Sansone goes far beyond this understanding by putting Greek tragedy at the heart of a counter-narrative of those origins.” Edward Schiappa, The University of Minnesota This book challenges the standard view that formal rhetoric arose in response to the political and social environment of ancient Athens. Instead, it is argued, it was the theater of Ancient Greece, first appearing around 500 BC that prompted the development of formalized rhetoric, which evolved soon thereafter. Indeed, ancient Athenian drama was inextricably bound to the city-state’s development as a political entity, as well as to the birth of rhetoric. Ancient Greek dramatists used mythical conflicts as an opportunity for staging debates over issues of contemporary relevance, civic responsibility, war, and the role of the gods. The author shows how the essential feature of dialogue in drama created a ‘counterpoint’—an interplay between the actor making the speech and the character reacting to it on stage. This innovation spurred the development of other more sophisticated forms of argumentation, which ultimately formed the core of formalized rhetoric.

This gripping study of the inner struggle between personal ambition and social conscience explores the eternal conflict between the heroic «I» and the social «We». Religion, myth and biography guide us through the hero's life from extraordinary beginnings to triumph, vilification, defeat and resurrection. As the fascinating story unfolds, we realize its deep importance. The psychology of the hero's journey is our own. The hero's story is the story of our own inner life.

"First published in Great Britain by Allan Lane"--Title page verso.

Napoleon Bonaparte, Adolf Hitler, and Joseph Stalin were three tyrants, and the effects of their brutal regimes are still with us. Each attained absolute power, and misused it in a gargantuan fashion, leaving in his wake a trail of hatred, devastation, and death.In A Brotherhood of Tyrants, D. Jablow Hershman and Julian Lieb uncover manic depression as a hidden cause of dictatorship, war, and mass killing. In comparing these three tyrants, they describe a number of behavioral similarities supporting the contention that a specific psychiatric disorder - manic depression - can be one of the key factors in such political pathologies as tyranny and terrorism.Manic depressive disorder has also produced the great destroyers in history - when in addition to ambition and egotism have been added large measures of ruthlessness, willfulness, utter intolerance of criticism, a consuming need to dominate others, paranoia, and megalomania.Focusing on these three dictators, A Brotherhood of Tyrants argues that manic depression has always been, and continues to be, a critical factor in compelling some individuals to seek political power and to become tyrants. It powerfully demonstrates how this disorder is the source of many of the typical characteristics - including grandiosity and megalomania - of a tyrannical personality and provides a manual for the identification of the psychotic tyrant.In their epilogue, the authors outline the clinical signs of manic depression as described in the classic studies of the German psychiatrist Emil Kraepelin (1856-1926). They apply these clinical signs and symptoms to the pathologies of four notorious mass killers of recent times: David Koresh, Jeffrey Dahmer, Jim Jones, and Colin Ferguson. They argue that if these individuals had been identified in time as manic depressives, they could have been successfully treated, and hundreds of innocent lives could have been saved.