An ambitious, revisionary study of not only Herman Melville's political philosophy, but also of our own deeply inhuman condition.

Studies of the writing of Herman Melville are often divided among those that address his political, historical, or biographical dimensions and those that offer creative theoretical readings of his texts. In Herman Melville and the Politics of the Inhuman, Michael Jonik offers a series of nuanced and ambitious philosophical readings of Melville that unite these varied approaches. Through a careful reconstruction of Melville's interaction with philosophy, Jonik argues that Melville develops a notion of the 'inhuman' after Spinoza's radically non-anthropocentric and relational thought. Melville's own political philosophy, in turn, actively disassembles differences between humans and nonhumans, and the animate and inanimate. Jonik has us rethink not only how we read Melville, but also how we understand our deeply inhuman condition.

Studies of the writing of Herman Melville are often divided among those that address his political, historical, or biographical dimensions and those that offer creative theoretical readings of his texts. In Herman Melville and the Politics of the Inhuman, Michael Jonik offers a series of nuanced and ambitious philosophical readings of Melville that unite these varied approaches. Through a careful reconstruction of Melville's interaction with philosophy, Jonik argues that Melville develops a notion of the 'inhuman' after Spinoza's radically non-anthropocentric and relational thought. Melville's own political philosophy, in turn, actively disassembles differences between humans and nonhumans, and the animate and inanimate. Jonik has us rethink not only how we read Melville, but also how we understand our deeply inhuman condition.

This reference work covers both Herman Melville's life and writings. It includes a biography and detailed information on his works, on the important themes contained therein, and on the significant people and places in his life. The appendices include suggestions for further reading of both literary and cultural criticism, an essay on Melville's lasting cultural influence, and information on both the fictional ships in his works and the real-life ones on which he sailed.

For Herman Melville, the instability of democracy held tremendous creative potential. Examining the centrality of political thought to Melville's oeuvre, Jennifer Greiman argues that Melville's densely figurative aesthetics give form to a radical reimagining of democratic foundations, relations, and ways of being—modeling how we can think democracy in political theory today. Across Melville's five decades of writing, from his early Pacific novels to his late poetry, Greiman identifies a literary formalism that is radically political and carries the project of democratic theory in new directions. Recovering Melville's readings in political philosophy and aesthetics, Greiman shows how he engaged with key problems in political theory—the paradox of foundations, the vicious circles of sovereign power, the fragility of the people—to produce a body of radical democratic art and thought. Scenes of green and growing life, circular structures, and images of a groundless world emerge as forms for understanding democracy as a collective project in flux. In Melville's experimental aesthetics, Greiman finds a significant precursor to the tradition of radical democratic theory in the US and France that emphasizes transience and creativity over the foundations and forms prized by liberalism. Such politics, she argues, are necessarily aesthetic: attuned to material and sensible distinctions, open to new forces of creativity.

Discover a fascinating new set of perspectives on the life and work of Herman Melville A New Companion to Herman Melville delivers an insightful examination of Melville for the twenty-first century. Building on the success of the first Blackwell Companion to Herman Melville, and offering a variety of tools for reading, writing, and teaching Melville and other authors, this New Companion offers critical, technological, and aesthetic practices that can be employed to read Melville in exciting and revelatory ways. Editors Wyn Kelley and Christopher Ohge create a framework that reflects a pluralistic model for humanities teaching and research. In doing so, the contributing authors highlight the ways in which Melville himself was concerned with the utility of tools within fluid circuits of meaning, and how those ideas are embodied, enacted, and mediated. In addition to considering critical theories of race, gender, sexuality, religion, transatlantic and hem­ispheric studies, digital humanities, book history, neurodiversity, and new biography and reception studies, this book offers: A thorough introduction to the life of Melville, as well as the twentieth- and twenty-first-century revivals of his work Comprehensive explorations of Melville’s works, including Moby-Dick, Pierre, Piazza Tales, and Israel Potter, as well as his poems and poetic masterpiece Clarel Practical discussions of material books, print culture, and digital technologies as applied to Melville In-depth examinations of Melville's treatment of the natural world Two symposium sections with concise reflections on art and adaptation, and on teaching and public engagement A New Companion to Herman Melville provides essential reading for scholars and students ranging from undergraduate and graduate students to more advanced scholars and specialists in the field.

In this fascinating book, Cody Marrs retraces Melville's engagement with beauty and provides a revisionary account of Melville's philosophy, aesthetics, and literary career.