A legend is born. Heriot has always known that he was different with his terrifying dreams and psychic powers. Ripped from his family farm, he is forced to serve as the King's magician in the capital city of Diamond. Isolated and lonely, his only friends are the 'mad prince' Dysart and Cayley, a mysterious wild city child. But their friendship is about to be tested to the limit when chilling violence and ambition threatens to crush Diamond and its King. Heriot's psychic abilities hide a deeper power that has the strength to bring Diamond's enemies to their knees. But will he be able to control this power without becoming a monster himself? 'Margaret Mahy is outstanding in the richness of her ideas and in her great story-telling ability. She has a fresh and vivid imagination, which speaks directly to the imagination of the child and an ability to use language to increase the force of her imagery to great effect.' Twentieth Century Children's Writers 'The queen of children's fiction...her plots are complex, her language is both rich and precise.' Independent on Sunday 'A prolific and versatile writer.' The Times 'Few writers can match Mahy in her ability to exploit the exuberant possibilities of the playfulness of words.' Irish Times 'Mahy displays a deep understanding of the emotions and conflicts of growing up.' Independent on Sunday 'Sympathetic, unsentimental, effortlessly funny.' Jan Mark, TES

George Heriot (1759-1839), a Scot, is best known as a skilled landscape watercolourist and as the contentious deputy postmaster general of British North America from 1800 to 1816. He was also a travel writer (his Travels through the Canadas was published in 1807) and a poet. In this volume, a combination of biography and art history, Gerald Finley presents, for the first time, a rounded picture of Heriot, revealing his motives and ideals while also illuminating the texture of life in Canada during the early years of settlement. In describing Heriot's several roles as artist, administrator, patriot, spy, Finley presents a portrait of an eighteenth-century gentleman whose superficial desires were for an active public life but whose deeper yearnings were for a life of contemplation. As a member of the gentry it was natural that Heriot found his way into public service, for which he was suited both by education and by upbringing. Nevertheless, his public career did not always run smoothly and it ended in frustration and sadness. However, through his writing and especially his art Heriot found welcome relief from the tensions of his public duties. Indeed, Heriot's chief importance lies in his art. Trained as a topographical artist, he was an important exponent of the picturesque landscape. As a mode of vision the Picturesque furnished him with a special way of looking at recording the Canadian scene – to him Canada possessed the qualities of Arcadia. This viewpoint served both as aesthetic consolation and as stimulus to inspiration. This volume serves to recognize Heriot's artistic achievement and to accord him the place he deserves in the history of Canadian art and of the country itself.

Heriot claims it was the intention of both Byrne and Heriot that they were co-creators of The Secret and would be so credited.Heriot also claims that Byrne had entered into a scheme to fraudulently transfer intellectual property rights in The Secret, to defraud Heriot and Drew Pictures of their investments and intellectual property rights in The Secret, to market The Secret and planned derivative works as the sole creation of Defendant Byrne, and to misappropriate Drew Pictures' copyright in the Rundowns, 2hr Paper Edit, Transcripts, and other materials authored by Heriot to create unauthorized derivative works.