Johann Gottfried Herder (1744-1803) is a towering figure in modern thought, but one who has hitherto been severely underappreciated. Michael Forster seeks to rectify that situation He considers Herder's philosophy in the round and argues that it is both far more impressive in quality and far more influential in modern thought than has previously been realized. After an introduction on Herder's intellectual biography, philosophical style, and general program in philosophy, there are chapters on his philosophy of language, his hermeneutics, his theory of translation, his contribution of the philosophical foundations for both linguistics and cultural anthropology, his philosophy of mind, his aesthetics, his moral philosophy, his philosophy of history, his political philosophy, his philosophy of religion, and his intellectual influence. Forster argues that Herder contributed vitally important ideas in all of these areas; that in many of them his ideas were seminal for major subsequent philosophers, including Friedrich Schlegel, Schleiermacher, Wilhelm von Humboldt, Hegel, and Nietzsche; that they indeed founded whole new disciplines, such as linguistics, anthropology, and comparative literature; and that moreover they were in many cases even better than what these subsequent thinkers and disciplines went on to make of them.

A seminal figure in the philosophy of history, culture, and language, Johann Gottfried Herder (1744-1803) also produced some of the most important and original works in the history of aesthetic theory. A student of Kant, he spent much of his life striving to reconcile the opposing poles of Enlightenment thought represented by his early mentors. His ideas influenced Hegel, Schleiermacher, Nietzsche, Dilthey, J. S. Mill, and Goethe. This book presents most of Herder's important writings on aesthetics, including the main sections of one of his major untranslated works, Kritische Wälder (Critical Forests). These notes, essays, and treatises, the majority of which appear here in English for the first time, show this idiosyncratic thinker both deeply rooted in the controversies of his day and pointing the way to future developments in aesthetics. Chosen to reflect the extent and diversity of Herder's concerns, the texts cover such topics as the psychology and physiology of aesthetic perception, the classification of the arts, taste, Shakespeare, the classical tradition, and the relationship between art and morality. Few thinkers have reflected so sensitively and productively on the cultural, historical, anthropological, ethical, and theological dimensions of art and the creative process. With this book, the importance of aesthetics to the evolution and texture of Herder's own thought, as well as his profound contribution to that discipline, comes fully into view.

This 2007 volume contains all of Kant's major writings on human nature.

Johann Gottfried Herder (1744-1803) is a towering figure in modern thought, but one who has hitherto been severely underappreciated. Michael Forster seeks to rectify that situation He considers Herder's philosophy in the round and argues that it is both far more impressive in quality and far more influential in modern thought than has previously been realized. After an introduction on Herder's intellectual biography, philosophical style, and general program in philosophy, there are chapters on his philosophy of language, his hermeneutics, his theory of translation, his contribution of the philosophical foundations for both linguistics and cultural anthropology, his philosophy of mind, his aesthetics, his moral philosophy, his philosophy of history, his political philosophy, his philosophy of religion, and his intellectual influence. Forster argues that Herder contributed vitally important ideas in all of these areas; that in many of them his ideas were seminal for major subsequent philosophers, including Friedrich Schlegel, Schleiermacher, Wilhelm von Humboldt, Hegel, and Nietzsche; that they indeed founded whole new disciplines, such as linguistics, anthropology, and comparative literature; and that moreover they were in many cases even better than what these subsequent thinkers and disciplines went on to make of them.

Provides an overview of Johann Gottfried Herder's aesthetics, interpreted as a naturalist theory with transformative historical significance for European philosophy.

Johann Gottfried Herder was a philosopher and important intellectual presence in eighteenth-century Germany. Herder's Political Thought examines the work of this significant figure in the context of both historical and contemporary developments in political philosophy. Vicki A. Spencer reveals Herder as one of the first Western philosophers to grapple seriously with cultural diversity without abandoning a commitment to universal values and the first to make language and culture an issue of justice. As Spencer argues, both have made Herder a source of inspiration for the pluralist turn of contemporary political philosophy. Contending that in an era of globalization, it is no longer possible to ignore Herder's crucial insights on the relationship between cultural membership and individual identity, Spencer demonstrates how these ideas can help us understand, and perhaps resolve, the linguistic and cultural-political struggles of our times.

Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder’s writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder’s musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder’s own interpretive practice as a translator of languages and cultures, providing today’s readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.