Magnificat & Nunc Dimittis is one of the 20 evening canticles written by Herbert Howells for the choir of St John's College, Cambridge in 1957. This sheet music is arranged for SATB Choir and Organ accompaniment. Herbert Howells was a renowned English composer of church music in the Anglican evensong tradition, best known for his 'Hymnus Paradisi' and as a teacher at the Royal College of Music. His lesser-known evening canticles include this piece: a calm and atmospheric choral song whose divine and soaring melodies have inspired audiences for years. The interplay of the bass/tenor and soprano/alto melodies combined with the powerful organ chords create a stirring and uplifting piece that builds to a glorious climax at its conclusion. The acoustics of Magnificat & Nunc Dimittis in a church or cathedral are second-to-none, and your audience is guaranteed to be left stunned by this little-known masterpiece of choral church music.

Herbert Howells composed his Magnificat And Nunc Dimittis evening canticles for St Paul's Cathedral in 1951, going on to become among his most famous and enduring works. These beautiful canticles were composed by a master of setting the Anglican liturgy, and are arranged for SATB Chorus and Organ Accompaniment. These two wonderful works of choral music are characterised by a unique blend of unison harmonies and disparate melodies that highlight each voice perfectly. The lingering notes, crescendos and subtle dynamic changes were composed with the acoustics of that great cathedral in mind, but they also work equally well in any setting.

This catalog of works, organized alphabetically by composer, details the compositions of fifty-four modern British composers born between 1893 and 1923. Volume two covers composers from Christian Darnton to Elisabeth Lutyens. Compositions are listed chronologically and include pertinent information about the performance, year of composition, music history, first recordings, and original manuscript location. Concert music is listed separately from documentary and feature films and from music composed for radio, television or stage. As a tool for further research, this catalog will appeal to soloists, chamber musicians and orchestral players as well as to scholars of classical music. A selective bibliography is included for each composer. Each volume includes a title index organized by composer.

N the drama, The Trial of Jesus, John Masefield has the centurion Longinus report to Pilate after the crucifixion of Jesus. Longinus had been the officer in charge of the execution, and after his official report, Procula, Pilate's wife calls the centurion to come and tell her how the prisoner had died. This was important to her because she had dreamed about Jesus the night before his death and tried to warn Pilate to let him go. After the centurion gives her the account of Jesus' death, she asks, "Do you think he is dead?" Longinus answers, "No, lady, I don't." "Then where is he?" asks Procula. Longinus replies, "Let loose in the world, lady, where neither Roman nor Jew can stop his truth." Indeed, Jesus is let loose in the world. His truth continues to change hearts and lives.