This bibliography includes all traceable self-contained books, monographs, pamphlets and chapters from books which in some way pertain to Jews in Australia and New Zealand between 1788 and 2008 Born in Russia in 1942, Serge Liberman came to Australia in 1951, where he now works as a medical practitioner. As author of several short-story collections including On Firmer Shores, A Universe of Clowns, The Life That I Have Led, and The Battered and the Redeemed, he has three times received the Alan Marshall Award and has also been a recipient of the NSW Premier's Literary Award. In addition, he is compiler of two previous editions of A Bibliography of Australian Judaica. Several of his titles have been set as study texts in Australian and British high schools and universities. His literary work has been widely published; he has been Editor and Literary Editor of several respected journals and has contributed to many other publications.

Australian identity - Heidelberg school - Landscape artists - War to end all wars - Pastoral new order - Reflections - Tradition in modern life - Cultures.

The Witt Library of the Courtauld Institute of Art, London, is one of the world's greatest art history libraries. It contains some 1.7 million illustrations of the work of painters, draughtsmen, and engravers of the Western tradition, all of whom have been indexed by name, dates, and nationality. This new second edition of the Checklist of Painters is a transcription of the Witt index as it currently exists. The names of 66,000 artists, their dates, and their nationality (or school) are reproduced in alphabetical order. The Checklist of Painters is probably the most exhaustive work of its kind in existence; it now lists all painters (known by art historians) to have lived and worked from the year 1200 to 1994. It will be an important reference text in the art history collection of any public, academic, or professional library.

Featuring 54 portraits by 34 artists, Face takes a fresh look at Australian portraiture from the 1880s late colonial period to the mid-1960s and the move into abstraction. Face considers the international influences upon Australian portrait painting and the more distinctive turns that Australian portraiture has taken in its own right. Australian artists have often challenged the possibilities of portraiture, rejected the predictable and pushed boundaries in both their choice of subject and their painterly approach. Artists include Tom Roberts, George W. Lambert, Rupert Bunny, Margaret Preston, Grace Crowley, Napier Waller, Albert Tucker, Sidney Nolan, Russell Drysdale, and John Brack.

Brought to Light - a publication on the Australian art collection of the Queensland Art Gallery - presents a new model for the documentation of visual arts collections in Australia. It is not a catalogue but an anthology of 60 original essays on selected works of interest. Approximately 150 works are illustrated and discussed in 60 original essays from scholars, artists and art historians, who place works in historical and social contexts in ways that expand the reader's knowledge of specific works of art and Australian art history. Comparative illustrations from other public collections and artists' archives are a special feature of this book. Featured artists include: Arthur Streeton, Rupert Bunny, George Lambert, Roland Wakelin, Grace Cossington Smith, Lloyd Rees, William Dobell, Russell Drysdale, Margaret Preston, Sidney Nolan, Ian Fairweather and Albert Namatjira.. Contributing authors: Elizabeth Churcher, Mary Eagle, Julie Ewington, Sasha Grishin, Doug Hall, Humphrey McQueen, Joanna Mendelssohn, Drusilla Modjeska, Margo Neale, Barry Pearce, Mark Pennings, Andrew Sayers and Virginia Spate. Features over 300 illustrations (many full-page).