On a mission to buy a prestigious shoe company, Australian career girl, Gemma Parkinson, arrives in Italy determined to succeed. But when she falls ill, effortlessly handsome local aristocrat, Luca Andretti, is on hand. Suspicious about Gemma's presence in his town, he offers to let her recuperate in his amazing palazzo. Surrounded by the lavish trappings of the rich &- servants, designer clothes, fine food and wine &- Gemma is completely out of her depth. Intent on saving the town's local industry, Brunelli Shoes, from foreign take-over, Luca throws every obstacle he can in Gemma's path. Headstrong, savvy and equally determined to successfully wrestle the company away from him, Gemma fights Luca all the way. But Luca's life of privilege masks a private world of pain and Gemma has demons of her own. As they come to understand one another, their growing attraction starts getting in the way. This moving love story involving two people from very different backgrounds is a delightful, contemporary romance in a gorgeous Italian setting.

For more than three years, Aline Coquelle, the well-known globe-trotting photographer, and Count Gelasio Gaetani d’Aragona Lovatelli, a member of one of the oldest aristocratic Italian families, have followed the map of Italy’s best wines. Guided by Gelasio, readers are introduced to a tribe of artistic and wine-loving amici who share their passion for their country’s heritage and bounty. The Italian Dream: Wine, Heritage, Soul is an escape into the effortlessly elegant Italian lifestyle, savoring wine behind the private gates of family castles and vineyards, from the foothills of the Alps to the hill towns of Tuscany to the relaxed southern seasides.

A vivid history of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Italian Renaissance. The fifteenth and sixteenth centuries was an era of dramatic political, religious, and cultural change in the Italian peninsula, witnessing major innovations in the visual arts, literature, music, and science. Princes of the Renaissance charts these developments in a sequence of eleven chapters, each of which is devoted to two or three princely characters with a cast of minor ones—from Federigo da Montefeltro, Duke of Urbino, to Cosimo I de' Medici, Duke of Florence, and from Isabella d'Este of Mantua to Lucrezia Borgia. Many of these princes were related by blood or marriage, creating a web of alliances that held Renaissance society together—but whose tensions could spark feuds that threatened to tear it apart. A vivid depiction of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Renaissance, Princes of the Renaissance is a narrative that is as rigorous and definitively researched as it is accessible and entertaining. Perhaps most importantly, Mary Hollingsworth sets the aesthetic achievements of these aristocratic patrons in the context of the volatile, ever-shifting politics of an age of change and innovation.

'I will pay you one million pounds to become my wife for one year. The marriage will not be consummated...' Italian aristocrat Lorenzo, Duce di Montesavro, needs to marry, and English tourist Jodie Oliver seems the ideal candidate for this convenient arrangement - her vulnerability is especially appealing to Lorenzo. But when he unleashes a desire Jodie never knew she possessed, Lorenzo is soon regretting his no-consummation rule.... Originally published in 2006

From a USA Today–bestselling author, an arranged marriage between Italian royalty and the American mother of his unborn child results in lasting love. It was payday for Prince Nicolo Barbieri. The Italian aristocrat’s negotiations to take over Manhattan’s SCB bank were about to bear fruit. But he wasn’t expecting Aimee Black, granddaughter of the bank’s current owner—who was pregnant with Nicolo’s baby! Nicolo felt duty bound to marry Aimee and give his child his name. But Aimee had other ideas about surrendering herself to this arrogant foreigner, who surely didn’t love her!

"...this book can be recommended to journalism students as a useful entry point into many of the debates surrounding 21st century journalism, and as a way of encouraging thought about what, indeed, a journalist may be." Tony Harcup, University of Sheffield What are the key issues confronting journalism today, and why? What are the important debates regarding the forms and practices of reporting? How can the quality of news be improved? Journalism: Critical Issues explores essential themes in news and journalism studies. It bringstogether an exciting selection of original essays which engage with the most significant topics,debates and controversies in this fast-growing field.Using a wide range of case studies, topics include: Journalism’s role in a democracy Source dynamics in news production Journalism ethics Sexism and racism in the news Tabloidization, scandals and celebrity Reporting conflict, terrorism and war The future of investigative journalism The book is written in a lively manner designed to invite discussion by identifying key questionsaround a critical issue. Each chapter assesses where journalism is today, its strengths and itschallenges, and highlights ways to improve upon it for tomorrow. Journalism: Critical Issues is essential reading for students and researchers in the fields ofnews and journalism, media studies, cultural studies, sociology and communication studies. Contributors: Stuart Allan, Alison Anderson, Olga Guedes Bailey, Steven Barnett,Oliver Boyd-Barrett, Michael Bromley, Cynthia Carter, Simon Cottle, Chas Critcher,Matthew David, Máire Messenger Davies, Bob Franklin, Robert A. Hackett, RamaswamiHarindranath, Ian Hutchby, Richard Keeble, Justin Lewis, Minelle Mahtani, P. David Marshall,Brian McNair, Martin Montgomery, Alan Petersen, Susanna Hornig Priest, Jane Rhodes,Karen Ross, David Rowe, Prasun Sonwalkar, Linda Steiner, Howard Tumber, Ingrid Volkmer,Karin Wahl-Jorgensen, Barbie Zelizer.

A full account of the Italian nobility in the period after national unification.