Anne, the Duchess of Hawthorne, is tired of her reputation as the Ice Queen of London society. She resolves to leave behind her cold-hearted marriage to the duke—and to find a woman to keep her warm at night. Perhaps the dashing designer she hires to transform her Mayfair estate can also help her to transform her life. Letitia Barrow has big dreams of running her own interior design business. The opportunity to reinvent the Hawthorne estate is the job that will finally establish her as a leading designer among the ton. The duchess might make her weak in the knees, but giving in to temptation could risk everything she’s working so hard to build. The designer and the duchess embark on an affair, with renovations to the house in full swing—and the renovations in their hearts well underway. Then, unexpectedly, the duke returns home and their feelings are tested. Can London’s hottest new designer melt the Ice Queen forever?

Miss Beatrice Everson has managed to marry the Earl of Sinclair, solving her family’s disastrous financial problems for good. She should be the happiest woman in London, but a less than satisfactory wedding night has Beatrice fleeing her husband and planning an affair with the dashing Mr. George Smith. Lady Georgina Smith has a secret she must keep at all costs: she divides her time running a bluestocking salon as Gina, and carousing across London as George. Captivated by Beatrice’s wit and charm, Georgina realizes that her secret is in danger—along with her heart. When Beatrice discovers that her wedding night has resulted in an unexpected pregnancy, she sees an opportunity to have it all by divorcing Sinclair and marrying George. However, Georgina isn’t sure that a lifetime spent as a man is staying true to herself. Beatrice and Georgina must risk giving up their secrets to finally have their heart’s desire. But is the risk too great to take?

What's a duke to do, when the girl who's perfectly wrong becomes the woman he can't live without? Griffin York, the Duke of Halford, has no desire to wed this season—or any season—but his diabolical mother abducts him to "Spinster Cove" and insists he select a bride from the ladies in residence. Griff decides to teach her a lesson that will end the marriage debate forever. He chooses the serving girl. Overworked and struggling, Pauline Simms doesn't dream about dukes. All she wants is to hang up her barmaid apron and open a bookshop. That dream becomes a possibility when an arrogant, sinfully attractive duke offers her a small fortune for a week's employment. Her duties are simple: submit to his mother's "duchess training"… and fail miserably. But in London, Pauline isn't a miserable failure. She's a brave, quick-witted, beguiling failure—a woman who ignites Griff's desire and soothes the darkness in his soul. Keeping Pauline by his side won't be easy. Even if Society could accept a serving girl duchess—can a roguish duke convince a serving girl to trust him with her heart?

"Lady Sophia has long been estranged from her husband, Vane Barwick, the Duke of Claxton, whose rumored list of amorous conquests includes almost every beautiful woman of the ton. Yet a shocking encounter with him in a crowded ballroom--and a single touch--are all it takes to reawaken her furious passion for him. But how can she trust the man who crushed her dreams and took away the one thing she wanted most?"--provided by publisher.

London's most notorious rogue—decadent, depraved, forbidden The ladies of the ton won't stop whispering about deliciously wicked Jack Dodger—once a thieving street urchin, now the wealthy owner of London's most exclusive gentleman's club. There's no pleasure he hasn't enjoyed, no debauchery the handsome scoundrel won't provide for the lords who flock to his house of carnal intrigue. London's most virtuous lady—honorable, uncorrupted, and all too human Olivia, Duchess of Lovingdon, would never associate with such a rogue. So when Jack is named sole heir to the duke's personal possessions, the beautiful, well-bred lady is outraged. Now, Olivia is forced to share her beloved home with this despicable man. Caught between the devil and desire But Olivia's icy disdain is no match for Jack's dangerous charm. His touch awakens desire. His kiss demands surrender. She will struggle to bar Jack from her heart . . . but her body, coveting divine release, will not let her bar him from her bed.

An unlikely heiress and a spinster evade the Marriage Mart only to discover true love together.

Departing from earlier studies which regarded incest as a literary topos or dramatic metaphor foregrounding political, social, or legal issues, Words and Deeds: The Spectacle of Incest in English Renaissance Tragedy argues that the presence of incest on the Renaissance stage is a strategy for the enactment of the spectator’s tragic experience. Incest is explored neither as a sin nor as a crime, but as an “unspeakable” experience filtered through dramatic words and deeds. The incitement of desire, visual pleasure, and unconscious fantasy, as well as traumatic rejection, pain, and horror, are all aspects of this paradoxical and uncanny experience. Aristotelian theory of tragedy, Freudian and Lacanian psychoanalysis, and Michel Foucault’s notions of the deployment of sexuality and alliance, concur in the analysis of plays where incest is a central or a secondary motif – Ford’s ’Tis Pity She’s a Whore, Beaumont and Fletcher’s Cupid’s Revenge, Webster’s The Duchess of Malfi – and others where incest is an effect of language and mise-en-scène – Sackville and Norton’s Gorboduc, Shakespeare’s King Lear. The variety of topics and the combination of critical perspectives makes In Words and Deeds an attractive book for students and teachers of Renaissance drama, as well as for those with a special interest in psychoanalytic and other new theoretical approaches to the literary text.