Meet Audrey Hepburn as you've never seen her before in Little Audrey’s Daydream: The Life of Audrey Hepburn, an empowering children's book by her son and daughter-in-law, Sean and Karin Hepburn Ferrer. Little Audrey's Daydream tells the story of Audrey Hepburn's life from her own perspective as a child growing up in Belgium and Holland, and into her adult life as an actress, mother, and humanitarian. • A beautiful, personal introduction to the life of Audrey Hepburn: Audrey's extraordinary story unfolds during her childhood in Holland, where her happy life of ice-skating and dancing changes with the harsh realities of World War II. As she daydreams about who she will become when the war ends, her real-life story of fame, family, and charity work unfolds. • A beacon of hope for children during difficult times: Facing dire circumstances during Occupation, Audrey and her family often don't have enough to eat. Despite the challenges, Audrey never loses hope that, with spirit and determination, her dreams can still come true. • All author proceeds will be donated to EURORDIS: Following in the footsteps of his mother's incredible humanitarian legacy, Sean Hepburn Ferrer and his wife Karen are donating all of their author proceeds from the book to EURORDIS, the Voice of Rare Disease Patients in Europe. • Whimsical illustration by celebrated French couple: Little Audrey's Daydream is beautifully illustrated by the legendary Dominique Corbasson and Francois Avril. This book is Corbasson's last work. Little Audrey's Daydream is an essential addition to the library of all Audrey Hepburn fans and a beautiful introduction to the life of Audrey Hepburn for children.

Twenty-five years after her passing, Audrey Hepburn remains the most beloved of all Hollywood stars, known as much for her role as UNICEF ambassador as for films like Roman Holiday and Breakfast at Tiffany's. Several biographies have chronicled her stardom, but none has covered her intense experiences through five years of Nazi occupation in the Netherlands. According to her son, Luca Dotti, "The war made my mother who she was." Audrey Hepburn's war included participation in the Dutch Resistance, working as a doctor's assistant during the "Bridge Too Far" battle of Arnhem, the brutal execution of her uncle, and the ordeal of the Hunger Winter of 1944. She also had to contend with the fact that her father was a Nazi agent and her mother was pro-Nazi for the first two years of the occupation. But the war years also brought triumphs as Audrey became Arnhem's most famous young ballerina. Audrey's own reminiscences, new interviews with people who knew her in the war, wartime diaries, and research in classified Dutch archives shed light on the riveting, untold story of Audrey Hepburn under fire in World War II. Also included is a section of color and black-and-white photos. Many of these images are from Audrey's personal collection and are published here for the first time.

In one of the first English-language studies of Korean cinema to date, Kyung Hyun Kim shows how the New Korean Cinema of the past quarter century has used the trope of masculinity to mirror the profound sociopolitical changes in the country. Since 1980, South Korea has transformed from an insular, authoritarian culture into a democratic and cosmopolitan society. The transition has fueled anxiety about male identity, and amid this tension, empowerment has been imagined as remasculinization. Kim argues that the brutality and violence ubiquitous in many Korean films is symptomatic of Korea’s on-going quest for modernity and a post-authoritarian identity. Kim offers in-depth examinations of more than a dozen of the most representative films produced in Korea since 1980. In the process, he draws on the theories of Jacques Lacan, Slavoj Zizek, Gilles Deleuze, Rey Chow, and Kaja Silverman to follow the historical trajectory of screen representations of Korean men from self-loathing beings who desire to be controlled to subjects who are not only self-sufficient but also capable of destroying others. He discusses a range of movies from art-house films including To the Starry Island (1993) and The Day a Pig Fell into the Well (1996) to higher-grossing, popular films like Whale Hunting (1984) and Shiri (1999). He considers the work of several Korean auteurs—Park Kwang-su, Jang Sun-woo, and Hong Sang-su. Kim argues that Korean cinema must begin to imagine gender relations that defy the contradictions of sexual repression in order to move beyond such binary struggles as those between the traditional and the modern, or the traumatic and the post-traumatic.

This “definitive biography of Indiana Gov. Paul V. McNutt” shows the politician’s “importance on the national stage" through the Great Depression and WWII (Indianapolis Star). The 34th Governor of Indiana, head of the WWII Federal Security Agency, and ambassador to the Philippines, Paul V. McNutt was a major figure in mid-twentieth century American politics whose White House ambitions were effectively blocked by his friend and rival, Franklin Delano Roosevelt. This historical biography explores McNutt’s life, his era, and his relationship with FDR. McNutt’s life underscores the challenges and changes Americans faced during an age of economic depression, global conflict, and decolonialization. With extensive research and detail, biographer Dean J. Kotlowski sheds light on the expansion of executive power at the state level during the Great Depression, the theory and practice of liberalism as federal administrators understood it in the 1930s and 1940s, the mobilization of the American home front during World War II, and the internal dynamics of the Roosevelt and Truman administrations.

Humphrey Bogart. Abbott and Costello. Judy Garland and Mickey Rooney. John Wayne. Rita Hayworth and Betty Grable. Images of these film icons conjure up a unique moment in cinema and history, one of optimism and concern, patriotism and cynicism. What Dreams Were Made Of examines the performers who helped define American cinema in the 1940s, a decade of rapid and repeated upheaval for Hollywood and the United States. Through insightful discussions of key films as well as studio publicity and fan magazines, the essays in this collection analyze how these actors and actresses helped lift spirits during World War II, whether in service comedies, combat films, or escapist musicals. The contributors, all major writers on the stars and movies of this period, also explore how cultural shifts after the war forced many stars to adjust to new outlooks and attitudes, particularly in film noir. Together, they represented the hopes and fears of a nation during turbulent times, enacting on the silver screen the dreams of millions of moviegoers.