No American writer of the nineteenth century was more universally enjoyed and admired than Henry Wadsworth Longfellow. His works were extraordinary bestsellers for their era, achieving fame both here and abroad. Now, for the first time in over twenty-five years, The Library of America offers a full-scale literary portrait of America’s greatest popular poet. Here are the poems that created an American mythology: Evangeline in the forest primeval, Hiawatha by the shores of Gitche Gumee, the midnight ride of Paul Revere, the wreck of the Hesperus, the village blacksmith under the spreading chestnut tree, the strange courtship of Miles Standish, the maiden Priscilla and the hesitant John Alden; verses like “A Psalm of Life” and “The Children’s Hour,” whose phrases and characters have become part of the culture. Here as well, along with the public antislavery poems, are the sparer, darker lyrics—"The Fire of Drift-Wood," “Mezzo Cammin,” “Snow-Flakes,” and many others—that show a more austere aspect of Longfellow’s poetic gift. Erudite and fluent in many languages, Longfellow was endlessly fascinated with the byways of history and the curiosities of legend. As a verse storyteller he had no peer, whether in the great book-length narratives such as Evangeline and The Song of Hiawatha (both included in full) or the stories collected in Tales of a Wayside Inn (reprinted here in a generous selection). His many poems on literary themes, such as his moving homages to Dante and Chaucer, his verse translations from Lope de Vega, Heinrich Heine, and Michelangelo, and his ambitious verse dramas, notably The New England Tragedies (also complete), are remarkable in their range and ambition. As a special feature, this volume restores to print Longfellow’s novel Kavanagh, a study of small-town life and literary ambition that was praised by Emerson as an important contribution to the development of American fiction. A selection of essays rounds out of the volume and provides testimony of Longfellow’s concern with creating an American national literature. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The book depicts a group of people at the Wayside Inn in Sudbury, Massachusetts as each tells a story in the form of a poem.

This book is the biography of Anne Burrows Gilchrist, an Englishwoman of letters and widow of Blake's biographer, who fell in love with Wait Whitman when she read Leaves of Grass. In 1876 she came to America hoping to marry Whitman, but instead became his beloved friend. Illustrated.

Dylan at Play offers a selection of writings that can challenge and engross readers eager for new ways to meet the singularity of Bob Dylan’s work. We have no interest in competing with the almost numberless and ever-increasing quantity of critical and encyclopedic writing on Dylan. Our goal with this collection has been play and not categorizing or defining. We solicited material that might, in sum, create a vision of both reverent scrutiny and mischief. In this collection, you’ll find writers who generally are not already fixtures in the Dylan Criticism industry. Here you’ll meet a webmaster, theologians, a linguist, a poet, a polyglot, scholars and teachers. The writers in this collection have heard Dylan’s art calling to them through their particular frameworks of meaning and expression, and the pieces here are a result of their abilities to find the voices to respond to that call. We hope above all that readers of Dylan at Play will become inspired to invent and play with their own experiences of this artist.

For the Whitman bicentennial, a delightful keepsake edition of the incomparable wisdom of America's greatest poet, distilled from his fascinating late-in-life conversations with Horace Traubel. Toward the end of his life, Walt Whitman was visited almost daily at his home in Camden, New Jersey, by the young poet and social reformer Horace Traubel. After each visit, Traubel meticulously recorded their conversation, transcribing with such sensitivity that Whitman’s friend John Burroughs remarked that he felt he could almost hear the poet breathing. In Walt Whitman Speaks, acclaimed author Brenda Wineapple draws from Traubel’s extensive interviews an extraordinary gathering of Whitman’s observations that conveys the core of his ethos and vision. Here is Whitman the sage, champion of expansiveness and human freedom. Here, too, is the poet’s more personal side—his vivid memories of Thoreau, Emerson, and Lincoln, his literary judgments on writers such as Shakespeare, Goethe, and Tolstoy, and his expressions of hope in the democratic promise of the nation he loved. The result is a keepsake edition to touch the soul, capturing the distilled wisdom of America’s greatest poet.

Longfellow was the most popular poet of his day. This selection includes generous samplings from his longer works—Evangeline, The Courtship of Miles Standish, and Hiawatha—as well as his shorter lyrics and less familiar narrative poems. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.