'Shakespeare loves loose ends; Shakespeare also loves red herrings.' Stephen Orgel Loose ends and red herrings are the stuff of detective fiction, and under the scrutiny of master sleuths John Sutherland and Cedric Watts Shakespeare's plays reveal themselves to be as full of mysteries as any Agatha Christie novel. Is it summer or winter in Elsinore? Do Bottom and Titania makelove? Does Lady Macbeth faint, or is she just pretending? How does a man putrefy within minutes of his death? Is Cleopatra a deadbeat Mum? And why doesn't Juliet ask 'O Romeo Montague, wherefore art thou Montague?' As Watts and Sutherland explore these and other puzzles Shakespeare's genuius becomes ever more apparent. Speculative, critical, good-humoured and provocative, their discussions shed light on apparent anachronisms, perfromance and stagecraft, linguistics, Star Trek and much else. Shrewd andentertaining, these essays add a new dimension to the pleasure of reading or watching Shakespeare. 'Few modern academics are doing quite so much as Professor Sutherland to connect the "common reader" with great books' Independent

In this incendiary book, Hitchens takes the floor as prosecuting counsel and mounts a devastating indictment of Henry Kissinger, whose ambitions and ruthlessness have directly resulted in both individual murders and widespread, indiscriminate slaughter.

From Christina Lamb, the coauthor of the bestselling I Am Malala and an award-winning journalist—an essential, groundbreaking examination of how women experience war. In Our Bodies, Their Battlefields, longtime intrepid war correspondent Christina Lamb makes us witness to the lives of women in wartime. An award-winning war correspondent for twenty-five years (she’s never had a female editor) Lamb reports two wars—the “bang-bang” war and the story of how the people behind the lines live and survive. At the same time, since men usually act as the fighters, women are rarely interviewed about their experience of wartime, other than as grieving widows and mothers, though their experience is markedly different from that of the men involved in battle. Lamb chronicles extraordinary tragedy and challenges in the lives of women in wartime. And none is more devastating than the increase of the use of rape as a weapon of war. Visiting warzones including the Congo, Rwanda, Nigeria, Bosnia, and Iraq, and spending time with the Rohingya fleeing Myanmar, she records the harrowing stories of survivors, from Yazidi girls kept as sex slaves by ISIS fighters and the beekeeper risking his life to rescue them; to the thousands of schoolgirls abducted across northern Nigeria by Boko Haram, to the Congolese gynecologist who stitches up more rape victims than anyone on earth. Told as a journey, and structured by country, Our Bodies, Their Battlefields gives these women voice. We have made significant progress in international women’s rights, but across the world women are victimized by wartime atrocities that are rarely recorded, much less punished. The first ever prosecution for war rape was in 1997 and there have been remarkably few convictions since, as if rape doesn’t matter in the reckoning of war, only killing. Some courageous women in countries around the world are taking things in their own hands, hunting down the war criminals themselves, trying to trap them through Facebook. In this profoundly important book, Christina Lamb shines a light on some of the darkest parts of the human experience—so that we might find a new way forward. Our Bodies, Their Battlefields is as inspiring and empowering is as it is urgent, a clarion call for necessary change.

Laurence Olivier was one of the best-known and most pioneering actor-directors of Shakespeare on screen. This is the first study to provide a comprehensive analysis of Olivier's Shakespearean feature films and his unique Shakespearean star image. Through an in-depth examination of Olivier's little-known, unmade film Macbeth, as well as his adaptations of Shakespeare's Henry V, Hamlet and Richard lll, Jennifer Barnes offers a detailed exploration of Olivier's entire cinematic Shakespearean oeuvre in relation to his distinctive form of stardom. Considering the development of Olivier's image in relation to the industrial and cultural contexts of the wartime and post-war British film and theatre industries, the volume also analyses Olivier's life writing and published autobiographies and is supplemented by numerous illustrations.

An investigation into the nature of violence, terror, and trauma through conversations with a notorious war criminal by Jessica Stern, one of the world's foremost experts on terrorism. Between October 2014 and November 2016, global terrorism expert Jessica Stern held a series of conversations in a prison cell in The Hague with Radovan Karadzic, a Bosnian Serb former politician who had been indicted for genocide and other war crimes during the Bosnian War and who became an inspiration for white nationalists. Though Stern was used to interviewing terrorists in the field in an effort to understand their hidden motives, the conversations she had with Karadzic would profoundly alter her understanding of the mechanics of fear, the motivations of violence, and the psychology of those who perpetrate mass atrocities at a state level and who—like the terrorists she had previously studied—target noncombatants, in violation of ethical norms and international law. How do leaders persuade ordinary people to kill their neighbors? What is the “ecosystem” that creates and nurtures genocidal leaders? Could anything about their personal histories, personalities, or exposure to historical trauma shed light on the formation of a war criminal’s identity in opposition to a targeted Other? In My War Criminal, Jessica Stern brings to bear her incisive analysis and her own deeply considered reactions to her interactions with Karadzic, a brilliant and often shockingly charming psychiatrist and poet who spent twelve years in hiding, disguising himself as an energy healer, while also offering a deeply insightful and sometimes chilling account of the complex and even seductive powers of a magnetic leader—and what can happen when you spend many, many hours with that person.