A biography of Henry Stubbe, 1632-76, classicist, polemicist, physician and philosopher.

Henry Stubbe (1632–1676) was a revolutionary English scholar who understood Islam as a monotheistic revelation in continuity with Judaism and Christianity. His major work, An Account of the Rise and Progress of Mahometanism, was the first English text to positively document the Prophet Muhammad’s life, celebrate the Qur’an as a divine revelation, and praise the Muslim toleration of Christians, undermining a long legacy of European prejudice and hostility. Nabil Matar, a leading scholar of Islamic-Western relations, standardizes Stubbe’s text and situates it within England’s theological climate. He shows how, to draw a positive portrait of Muhammad, Stubbe embraced travelogues, early church histories, Arabic chronicles, Latin commentaries, and studies on Jewish customs and scriptures, produced in the language of Islam and in the midst of the Islamic polity.

Heretic and impostor or reformer and statesman? The contradictory Western visions of Muhammad In European culture, Muhammad has been vilified as a heretic, an impostor, and a pagan idol. But these aren’t the only images of the Prophet of Islam that emerge from Western history. Commentators have also portrayed Muhammad as a visionary reformer and an inspirational leader, statesman, and lawgiver. In Faces of Muhammad, John Tolan provides a comprehensive history of these changing, complex, and contradictory visions. Starting from the earliest calls to the faithful to join the Crusades against the “Saracens,” he traces the evolution of Western conceptions of Muhammad through the Reformation, the Enlightenment, and the nineteenth and twentieth centuries, and up to the present day. Faces of Muhammad reveals a lengthy tradition of positive portrayals of Muhammad that many will find surprising. To Reformation polemicists, the spread of Islam attested to the corruption of the established Church, and prompted them to depict Muhammad as a champion of reform. In revolutionary England, writers on both sides of the conflict drew parallels between Muhammad and Oliver Cromwell, asking whether the prophet was a rebel against legitimate authority or the bringer of a new and just order. Voltaire first saw Muhammad as an archetypal religious fanatic but later claimed him as an enemy of superstition. To Napoleon, he was simply a role model: a brilliant general, orator, and leader. The book shows that Muhammad wears so many faces in the West because he has always acted as a mirror for its writers, their portrayals revealing more about their own concerns than the historical realities of the founder of Islam.

A corrective addendum to Edward Said’s Orientalism, this book examines how sympathetic representations of Islam contributed significantly to Protestant Britain’s national and imperial identity in the eighteenth century. Taking a historical view, Humberto Garcia combines a rereading of eighteenth-century and Romantic-era British literature with original research on Anglo-Islamic relations. He finds that far from being considered foreign by the era’s thinkers, Islamic republicanism played a defining role in Radical Enlightenment debates, most significantly during the Glorious Revolution, French Revolution, and other moments of acute constitutional crisis, as well as in national and political debates about England and its overseas empire. Garcia shows that writers such as Edmund Burke, Lady Mary Wortley Montagu, Samuel Taylor Coleridge, Robert Southey, and Percy and Mary Shelley not only were influenced by international events in the Muslim world but also saw in that world and its history a viable path to interrogate, contest, and redefine British concepts of liberty. This deft exploration of the forgotten moment in early modern history when intercultural exchange between the Muslim world and Christian West was common resituates English literary and intellectual history in the wider context of the global eighteenth century. The direct challenge it poses to the idea of an exclusionary Judeo-Christian Enlightenment serves as an important revision to post-9/11 narratives about a historical clash between Western democratic values and Islam.

John Owen was a leading theologian in 17th-century England. Through his association with Oliver Cromwell in particular, he exercised considerable influence on central government, and became the premier religious statesman of the Interregnum.

Civil Religion - a tradition of political thought that has argued for a close connection between religion and the state - made an important contribution to the development of religious and political thought at key moments of early modern British political and colonial history. As this volume shows, it was at work not just during the Enlightenment, but within a much wider periodical framework: the Reformation, the rise of the Puritan movement, the conflict over the Stuart state and church, the English Revolution, and the formation of key American colonies in the eighteenth century. Advocates of Civil Religion tried to reconcile a national church with religious toleration and design a constitution capable of preventing the church from interfering with affairs of state. The volume investigates the idea of Civil Religion in the works of canonical thinkers in the history of political thought (Machiavelli, Hobbes, Locke and Rousseau), in the works of those who have been recognized as shaping political ideas (Hooker, Prynne et al.) during this period, and in the advocacy of those perhaps not previously associated with Civil Religion (William Penn). Although Civil Religion was often posited as a pragmatic solution to constitutional and ecclesiological problems created by the Reformation and the English Revolution, they also reveal that such pragmatism was not at odds with religious conviction or ideals. Civil Religion certainly enhanced citizenship in this period, but it did so in ways which depended on the truth claims of Protestantism, not on their domestication to politics.

How do young scholars from the Arab world interact with English literature? Is literature relevant to their life? Can it help shape their reality? Is this affiliation new, or is there a pattern? This book poses some answers to these questions and more; it is ideal for university students and young intellectuals who seek further insight into world literature and literary theory. As this book shows, strong and courageous voices from the past, voices that transcend time and space, like Swift’s, must remain alive in the departments of English and world literature in this wasteland of globalization - a world dominated by cold science, materialism, and conflict. There is need for Swift to haunt us, for his ghost to wake us to the truth. Anarchist, anti-colonialist, nay-sayer, champion of the oppressed and conscious of the plight of women, Swift is the ultimate “therapeutic ironist”; what more can a pen do?