Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.

"...suddenly the most commonplace objects came to have for me such significance that they no longer existed as just objects, but as shape and form in space."--Henry Moore. One of the world's greatest sculptors and a renowned photographer--close friends for thirty years--combine forces to provide insight into what makes a great creative artist. Part personal history and part stunning presentation of Moore's work and inspirations, striking photographs show his major sculptures and collected art, as well as the landscape and natural forms that indelibly influenced him. Compare Moore's own sculpted masks with the African and Mexican tribal pieces he so admires, or his figures--filled with energy--with Hedgecoe's nude studies. Close-ups focus in on small, fine details. Plus: a treasured glimpse of Moore in his workshop. 208 pages (16 in color), 230 b/w illus., 8 1/8 x 11 3/8.

"How does a great creative artist go about his work? Gemma Levine has photographed and recorded Henry Moore at work in his home and studios to produce this intimate portrait. The evocative and perceptive photographs accompany Henry's Moore's own words to show the genesis of his creations from the sources of inspiration -- stones, driftwood, jawbones of animals -- through his drawings and maquettes to the finished sculptures, lithographs and etchings."--Jacket.

In this groundbreaking examination of British war art during the Second World War, Brian Foss delves deeply into what art meant to Britain and its people at a time when the nation's very survival was under threat. Foss probes the impact of war art on the relations between art, state patronage, and public interest in art, and he considers how this period of duress affected the trajectory of British Modernism. Supported by some two hundred illustrations and extensive archival research, the book offers the richest, most nuanced view of mid-century art and artists in Britain yet written. The author focuses closely on Sir Kenneth Clark's influential War Artists' Advisory Committee and explores topics ranging from censorship to artists' finances, from the depiction of women as war workers to the contributions of war art to evolving notions of national identity and Britishness. Lively and insightful, the book adds new dimensions to the study of British art and cultural history.

This catalogue celebrates the recently installed collection of twentieth-century sculpture donated to the J. Paul Getty Trust by the Fran and Ray Stark Trust in 2005. The book takes the reader on a visual tour of the J. Paul Getty Museum's new sculpture gardens and installations, which features twenty-eight works by artists such as Alexander Calder, Alberto Giacometti, Ferdinand Léger, Roy Lichtenstein, René Magritte, Aristide Maillol, Joan Miró, Henry Moore, and Isamu Noguchi. The book offers essays on the curatorial decisions involved in establishing harmonious groupings; a history of European and American sculpture within built outdoor environments and gardens; and catalogue entries that discuss individual pieces within their broader art-historical contexts.