To read a story by Henry James is to enter a fully realized world unlike any other—a rich, perfectly crafted domain of vivid language and splendid, complex characters. Devious children, sparring lovers, capricious American girls, obtuse bachelors, sibylline spinsters, and charming Europeans populate these five fascinating nouvelles, which represent the author in both his early and late phases. From the apparitions of evil that haunt the governess in “The Turn of the Screw” to the startling self-scrutiny of an egotistical man in “The Beast in the Jungle,” the mysterious turnings of human behavior are coolly and masterfully observed—proving Henry James to be a master of psychological insight as well as one of the finest prose stylists of modern English literature.

Reproduction of the original: An International Episode by Henry James

Eleven essays representing a fresh engagement, from a variety of critical positions, with the tales and nouvelles of Henry James. The collection contains new studies of well-known stories, such as 'Daisy Miller' and 'The Aspern Papers', and explorations of neglected areas, for example James's earliest signed stories from the 1860s, and such strikingly individual works as 'Glasses' and 'The Great Good Place'. The contributors include several of today's most prominent Jamesians, among them Tony Tanner, Barbara Hardy, Millicent Bell and Adrian Poole.

The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.

Reproduction of the original: Lady Barbarina by Henry James