The three novels in this Library of America volume from Henry James’s middle period explore some historical and social dilemmas that belong as much to our time as to his own. The Princess Casamassima was published in 1886, a year that saw riots of the unemployed in London. It is a political novel in which anarchists and terrorists conspire within a fin de siècle world of opulence and glamour. The action ranges from palaces to slums, from London to Paris to Venice and back again. The novel’s hero, Hyacinth Robinson, is torn between his loyalty to revolutionary causes—for which he is about to commit an act of violence that may cost him his life—and his taste for the artistic side of aristocratic culture, represented in part by the beautiful, wealthy, compassionate, and yet deceptive Princess of the title. Possibly to save Hyacinth, she becomes romantically involved with his fellow conspirator Paul Muniment, a calculating political operative, idealistic and treacherous by turns. Assassination plots, sexual betrayals, murder, suicide, and the fierce play of conflicting loyalties—all these bring into play an intricate abundance of attendant figures, like the rakish Captain Sholto and the appealing but faithless Millicent Henning. The Reverberator (1888) is a swiftly paced comic novel named after a newspaper that caters to the American public’s appetite for the “society news of every quarter of the globe.” Francie Dosson, the free-spirited daughter of a wealthy Boston family, innocently provides gossip to George Flack, a “young commercial American” who writes for the paper. His published report imperils her engagement to Gaston Probert, whose family is outraged by the airing of its secrets. James portrays the collision of easily shocked Old World propriety and self-assured New World naiveté with benevolent affection and spirited delight. The Tragic Muse (1890) explores with a topical realism not usually found in James the conflicts between art and politics, society and the Bohemian life. It does so with dazzling glimpses of Parisian theater and of London aestheticism, as articulated by the flamboyant and idealistic Gabriel Nash. At its center are four superbly drawn characters. The fascinating Miriam Rooth is an actress of overwhelming egotistic vitality and dedication to her art. Her suitor, the diplomat Peter Sherringham, is impassioned by her theatrical talent even while asking her to sacrifice it for his career. Nick Dormer faces a similar predicament in his engagement to the rich Julia Dallow, who wants him to forgo his painting so as to make use of her fortune in pursuit of his career in Parliament. Full of witty talk and vividly dramatic scenes, the novel includes a vast array of characters such as the impressive political matriarch Lady Dormer. Perhaps more than any of his novels, it attests to James’s recognition of the costs of any dedication, like his own, to creative achievement. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This Library of America volume collects four novels written by Henry James in the period immediately following his unsuccessful five-year-long attempt to establish himself as a playwright on the London stage. Hoping to convert his “infinite little loss” into “infinite little gain,” James returned to the novelistic examination of English society with a new appreciation for what he called the “divine principle of the Scenario,” “a key that, working in the same general way fits the complicated chambers of both the dramatic and the narrative lock.” His continued interest in dramatic form is demonstrated in The Other House (1896), which was derived from the scenario for a three-act play. Set in two neighboring houses and told mostly through dialogue, the novel explores the violent and tragic consequences of jealousy and frustrated passion. In The Spoils of Poynton (1897), one of the most tightly constructed of James’s late novels, a house and its exquisite antique furnishings and artwork become the source of a protracted struggle involving the proud and imperious Mrs. Gereth, her amiable son, Owen, his philistine fiancée, Mona Brigstock, and the sensitive Fleda Vetch, whose moral judgment is tested by her conflicting allegiances. What Maisie Knew (1897) explores with perception and sensitivity the effect upon a young girl of her parents’ bitter divorce and their subsequent remarriages. In writing the novel James chose as his point of view what he described as “the consciousness, the dim, sweet, scared, wondering, clinging perception of the child.” The Awkward Age (1899) examines the complicated relations among the members of a sophisticated London social circle almost entirely through dialogue as it depicts the shifting marital prospects of a young woman poised on the verge of adult life. Both of these novels insightfully explore the ambiguity of childhood “innocence” amid adult struggles over money, power, and love. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This Library of America volume brings together one of Henry James’s most unusual experiments and one of his most beloved masterpieces Writing to his friend William Dean Howells, Henry James characterized his experimental novel, The Sacred Fount, as the only one of his novels to be told in the first person, as “a fine flight into the high fantastic.” While traveling to the country house of Newmarch for a weekend party, the nameless narrator becomes obsessed with the idea that a person may become younger or cleverer by tapping the “sacred fount” of another person. Convinced that Grace Brissenden has become younger by drawing upon her husband, Guy, the narrator seeks to discover the source of the newfound wit of Gilbert Long, previously “a fine piece of human furniture.” His perplexing and ambiguous quest, and the varying reactions it provokes from the other guests, calls into question the imaginative inquiry central to James’s art of the novel. James described the essential idea of The Wings of the Dove as “a young person conscious of a great capacity for life, but early stricken and doomed, condemned to die under short respite, while also enamoured of the world.” The heroine, a wealthy young American heiress, Milly Theale (inspired by James’s beloved cousin Minny Temple), is slowly drawn into a trap set for her by the English adventuress Kate Croy and her lover, the journalist Morton Densher. The unexpected outcome of their mercenary scheme provides the resolution to a tragic story of love and betrayal, innocence and experience that has long been acknowledged as one of James’s supreme achievements as a novelist. This volume prints the New York Edition text of The Wings of the Dove, and includes the illuminating preface James wrote for that edition. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Sometimes overshadowed by his work as a novelist, Henry James’s short fiction is an astonishing achievement, a triumph of inventiveness and restless curiosity. This Library of America volume (the third of five volumes devoted to his short fiction) includes among its seventeen stories some of James’s greatest masterpieces. “The Aspern Papers” is a stunning novella about emotional ruthlessness in the service of literary scholarship. “The Pupil” is a densely suggestive account of the moral perplexities underlying the relationship between an impoverished tutor and a young invalid. “The Lesson of the Master” is an intricate study of ambition, disappointment, and the demands of a life devoted to art. “Brooksmith” is a moving portrait of a house servant and “Sir Edmund Orme” is an enthralling ghost story. In “The Liar,” a painter attempts to force a former love to admit that her present husband is a pathological liar; in “The Patagonia,” a young man cavalierly flirts with a young woman en route to her wedding in England, with disastrous consequences. More than half the stories within this volume are available in no other edition. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The four novels collected in this Library of America volume are among the classic works from the immensely productive career of America’s most influential man of letters at the turn of the twentieth century. William Dean Howells was a champion of French and Russian realistic writers and a brilliant advocate of the most controversial American writers of his own time. In A Foregone Conclusion (1875), a young American painter roams through Europe for years before at last deciding to marry the woman who, he erroneously thinks, has been in love with an Italian priest turned agnostic. A Modern Instance (1882) offers an unflinching portrait of an unhappy marriage and ends with a hero barred by his perhaps overscrupulous conscience from marrying the divorced heroine. Once again personal dilemmas are seen as symptoms of the rapid displacement of older social and religious stabilities by opportunism and commercial progress. One of the most engaging of all his novels, Indian Summer(1885), is touched with the Jamesian glamour of romantic confusion among two American couples in Italy. Here Howells’s realism takes a quietly humorous turn. Situations which might be exploited by another novelist for their theatrical or melodramatic possibilities are instead eroded by the often trivial or casual experiences of everyday living. Characteristically, Howells is opposed to exaggeration in the interest of discovering how people, despite the crises that beset them, manage to find their way. The Rise of Silas Lapham (1885), Howells’s best-known work, gives a brilliantly skeptical portrait of American business life and its perils, celebrating not the rise but the loss of fortune that makes possible the hero’s recovery of his earlier integrity and happiness. “There are,” remarked a contemporary reviewer, “thousands of Silas Laphams throughout the United States,” and present-day readers might agree that there still are. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Henry James’s travel writings are at once literary masterpieces, unsurpassed guidebooks and penetrating reflections on the international themes familiar from his fiction. This volume, the second of two, begins with the classic A Little Tour in France (1900), illustrated with Joseph Pennell’s exquisite drawings from the original edition. James begins his tour of the French countryside one rainy morning in mid-September of 1882, when he sets off for the city of Tours as a means of exploring the proposition that “though France might be Paris, Paris was by no means France.” From Tours, Balzac’s birthplace, James travels to the great chateaux of the Loire Valley, visiting Chambord, Amboise, Chenonceaux, and Blois, where, as you cross the threshold, “you step straight into the sunshine and storm of the French Renaissance.” Dense with literary associations and historical echoes, James’s prose brings castles and cathedrals and old walled towns to life. In his glancingly precise visual evocations of terrain and cityscape, he realizes his ambition “to sketch without a palette or brushes.” Henry James loved Italy, “a beautiful disheveled nymph” to England’s “good married matron.” The incisive and witty essays in Italian Hours (1909) describe memorably happy sojourns in Venice, Rome, and Florence, and excursions to Siena, Assisi, Perugia, Capri, Ravenna, and other Italian cities. “Nowhere do art and life seem so interfused” as in Venice, wrote James in celebration of the splendor of Venetian light and color, air, and history. He records his radiant impressions of Roman churches and aqueducts, museums and fountains, and rambles through the gardens of the Villa Borghese in spring, when Rome seems lighted “with an irresistible smile.” All these essays are filled with James’s intense pleasure in Italian places and people. This volume concludes with sixteen essays on such varied places as Switzerland, Holland, Rheims, and the Pyrénées, including a memorable account of the American volunteer ambulance corps in Europe during World War One. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.