Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.

In this volume, Pop examines how art of the mid 1700s and early 1800s - inspired by translations of Greek tragedy - reveals a view of modern Europe attempting to recognize its own historical status as one culture among many. He analyses this broad view of culture through the lens of Anglo-Swiss artist Henry Fuseli's life and work.

Henry Fuseli's work has always been the subject of speculation, from the rumours of his opium addiction to modern views of him as an exponent of Neoclassicism. This text offers an interpretation of the artist.