Eh? Transmigration! It's fine if she transmigrated, but if it was anyone else who transmigrated, they would definitely be in the limelight. If it wasn't the Queen or the Princess, and even more so, the Handsome Man was captive. Why was she so unlucky to be sold to a brothel as a brothel as soon as she woke up? Since he was in the ancient times, he had to go on a rampage. It seemed like it was a little outrageous for a man to be inferior to a woman. He had to force himself to be the empress, and then turn the emperor into a 'Wife's Trickster'.Su Qing Qing was originally a white-collar worker, and used his own hard work to get the position of the department manager. Unfortunately, his relationship was a complete mess, since this Girl who possessed the potential of a strong woman had come to the Ancient Era, would he be able to do the same? From the brothel Flos Lonicerae to the world by mother, the task was far too heavy!

This volume offers a variety of perspectives on contemporary fatherhood: from analyses of literature, film, drama, and popular culture, to issues tackled by psychology, gender studies, and social sciences. Arranged into thematic sections, the chapters cover a wide range of approaches to fatherhood, including studies and analyses based on fieldwork and interviews with participants. Each chapter discusses various culture-dependent models of masculinity in relation to the topic of fatherhood depicted in works of literary and film art, emphasizing the crucial factors and features which make all these models different from one another and using examples of such cultural contexts as Australia, China, Indonesia, Brazil, and Iran. With the use of methodological tools provided by literature studies, film studies, culture studies, psychology, gender and queer studies, and sociology, the book is a comprehensive insight into current research on both real-life and fictional realizations of fatherhood.

Combines speech theory with practical exercises for developing proper vocal tone, resonance, expression, and breathing, articulation, and pronunciation skills.

Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.